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(Key: Gm) Here is the tune that helped propel Frank Sinatra to stardom! This arrangement is a great fit for vocal soloist with jazz ensemble and features a solo for alto sax and a shout chorus for the full band as well.

(Key: F)

(Key: C mi) Here's a chart that will make your band sound great and is not that hard to sing. This medium up-tempo arrangement of this Irving Berlin favorite features excellent accompaniment writing as well as a short solo for Tenor Sax (as written or ad lib.)

Roger's medium swing setting of this Jerome Kern favourite will be a joy to perform. Great ensemble writing and a powerhouse ending help make this one a must.

(Key: G mi) One of the great torch songs of all time, here is a medium swing version of “Cry Me a River” with a bluesy edge. This one will be fun to perform!

(Key: Ab) Recorded by newcomer vocalist Norah Jones, this haunting tune is a current hit on the pop charts. With a beautiful melody and smooth harmonies, this is a wonderful contemporary feature for vocalist. This arrangement may also be used as a feature for flugelhorn or tenor sax, in place of the vocal part.

Highly Recommended! Michael Bublé sang this hit song and now it’s time for your vocal soloist and jazz ensemble. Arranger Scott Ragsdale captured the essence of the Bublé arrangement with his terrific adaptation of this great tune. Vocal range is from F below middle C up to third space C and the vocal part has some easy scat lines with vocal syllables. Lead trumpet range is to written A above the staff. A wonderful chart on a neat tune. Duration: 3:44

(Key: F) Made famous by Astrud Gilberto and Stan Getz, this laid back Latin favorite features a great groove and tasty ensemble writing to back your singer, either male or female.

Recommended! This swingin’ standard is arranged by the great Dave Wolpe in two keys—your choice of F (high) or C (low) depending on the vocalist’s range. Includes two scores—the different key versions are on reverse sides of the parts; just flip the page. Vocal range in two keys: Female (low) key range is A below middle C to second space A. Male (high) key range is D below the staff to fourth line D, treble clef. Duration: 2:09

A jazz masterpiece arranged for vocal solo and jazz ensemble. This chart is written in two keys to provide maximum flexibility for the vocalist and the band. This straight-ahead swinger also has brief solos for 1st trombone and 2nd trumpet. The low key (female) is C with a range from F below middle C to third line B. The high key (male) is pitched in F with a range from B-flat below middle C to fourth space E. The low-key version also has an optional shout chorus with the ensemble. Dave Wolpe arranged this one, and that is your guarantee of an excellent chart. Duration: 2:53

(Key: Bb) This beautiful ballad has been recorded by countless jazz artists over the years in addition to being featured in several recent movies. The marvelous melody and distinctive harmony are treated masterfully in this setting for vocal soloist and jazz ensemble.

(Key: Cm) Comfortable for just about any singer, this swingin' chart on this classy jazz standard is a perfect addition to any concert.

Another outstanding jazz vocal with jazz ensemble! This chart is totally flexible--it's written in two keys! The higher key usually works for your male vocalist and the lower key for your female vocalist; if not, just switch. It's that easy! In addition to the vocal solo, this swinging Rogers and Hart song has a trombone jazz solo (or optional scat vocal solo) and written written ensemble horn lines for the vocalist, both great opportunities to integrate your vocalist with the ensemble. Very effective! (Female key (low): G below middle C to third line B, treble clef -- Male key (high): B-flat below middle C to fourth line D, treble clef)

(Key: Cm) This well-known Latin classic has been recorded by many jazz artists and lends itself to an easy relaxed feel. Written in a very comfortable range for vocalists, this exceptional chart will be a joy to perform.

A swinging chart for vocal quartet with parts provided for SATB, SSAA or solo vocalist. Composed by Harry Warren, pitched in the key of B-flat, this excellent chart is arranged by Dave Wolpe, one of the best writers in the music business. Comfortable vocal parts, a brief tenor saxophone solo and expert writing throughout makes this a great vehicle for jazz vocal group. Duration: 2:49

(Key: Cm) Written in a tongue-in-cheek jump swing style, this medium swing tune was featured in the movie Blast from the Past starring Brendan Fraser and Alicia Silverstone. This chart for vocal soloist is sultry and just plain fun!

Night and Day never sounded so good! Solo vocal with jazz ensemble arranged in the Sinatra style with a tenor sax solo and supurb ensemble writing. Arranged in two keys for vocal flexibility–just flip the page for the best vocal key. Vocal solo range: female (low) key of C – G below middle C to 3rd space C; male (high) key of E-flat – B-flat below middle C to top space E-flat, treble clef. An excellent chart. (3:36)

(Key: Ab) This wonderful standard is always a joy to perform, and here's a medium tempo chart that really makes it swing. Also included is a solo for any sax, and some nice full ensemble writing.

You’ll love this gorgeous ballad arranged by Dave Wolpe in two keys for flexibility. Vocal ranges: female key (low) of C, from G below middle C to third line B. Male key (high) of E-flat from B-flat below middle C to fourth space D, treble clef. Superb chart. Duration: 3:49

(Key: Ami-Bbmi)

(Key: F) Written with a high-powered shuffle groove as featured on “American Idol”, here is a flattering and fun chart for any vocalist. Solid ensemble backgrounds compliment the soloist and there are feature spots for the band along with a flexible solo section for alto, tenor or trumpet.

This swingin' medium up-tempo standard was recorded by Natalie Cole on her acclaimed Unforgettable album. Great chart!

(Key: Bb) Put a little soul into your next concert with this classic recorded by Aretha Franklin. Great fun for the band and vocalist alike! Also includes a solo for tenor.

(Key: C) Rarely does a song have staying power over time like this gem from West Side Story. One of the definitive ballads of all time, here is a wonderful opportunity to perform it with a vocal soloist and big band!

(Key: F) Great bluesy showcase for any vocalist! Jerry's excellent chart will undoubtedly become one of your favourites.

(Key: E flat) Summer Wind will be the hit of any concert or dance performance. Arranged with class and style by master arranger Dave Wolpe, this chart is an easy tempo swing arranged in two keys to feature vocal soloist with jazz ensemble with a brief tenor sax solo. Vocal keys are high key starting in E-flat (range is B-flat below middle C to E-flat fourth space) and the low key starting in C (range low G below middle C to third space C). Duration: 2:57

A Gershwin(R) classic for solo vocalist arranged by Dave Wolpe, this chart is written in two keys, B-flat and E-flat, to allow flexibility. The parts are reversible -- just flip the page. Wolpe knows how to make your vocalist sound fantastic and how to keep the band happy with some wonderful Sinatra-style ensemble writing. Vocal range low key (B-flat): B-flat below middle C to third line B-flat, high key (E-flat): first line E-flat to fourth space E-flat. A winner. Duration: 3:04

A Gordon Goodwin vocal chart! In addition to the vocal part, there are solo lead sheets for alto sax, tenor sax, trumpet and trombone. Gordon has conceived this chart with the vocal intertwined into the fabric of the chart. Vocal keys are F, G and A-flat with modulations. Vocal range is low E below middle C to E-flat fourth space. As recorded on The Phat Pack CD. Outstanding! Duration:3:38

This standard from the Big Band Era belongs in every band's library!

Originally made famous by Louis Armstrong and most recently recorded on Kenny G's new CD, this is a natural choice for a vocal soloist. Beautiful melody in a lush setting.

One of Peggy Lee's first recorded hits with the Benny Goodman Orchestra was this bluesy swing tune. The vocal part is not that difficult and the accompaniment works great.