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Here’s a great swing chart for proficient groups that exploits a well-known lick normally used for endings. The bebop feel stresses a broader interpretation of the triplet feel, rendering a more authentic concept. There is a lot of trades between the band and the drummer, frequent contrapuntal writing, and a few surprises. This marks the first Les Hooper chart in the Kendor catalogue, so we welcome Les to the Kendor family of writers and look forward to many more charts from this well known and talented jazz writer! Duration 4:05.

Re-promotion. Mike Tomaro has penned a Latin style version of one of Jerome Kern's most often performed classics. Mike's creativity and total command of the idiom shines through in this superb chart.

You guessed it, this chart is an up-tempo swinger. Les Hooper’s arrangement will keep everyone moving forward on this original based on “Rhythm” chord changes. Solo space is for tenor and alto plus an open solo section for all players and a hot shout choruses too. Exciting! Duration: 3:48

Written in a fast 3/4, this gospel-inspired burner is as fun to play as it is to listen to. There is great interplay between sections of the band as layers of sound move in and out. Also included are hand claps and some “play any note you want” opportunities to really liven things up. The flexible solo section allows you to customize this to fit the strengths of your own band.

Whoa! A super high-energy Latin samba arranged by Eric Richards that is the perfect opener or closer for any performance. Solo opportunity for tenor sax, bari sax, 2nd trombone and drums. This is a powerhouse chart!

This rousing production number features some of the best-known tunes made famous by the Blues Brothers. A great way to provide something a little different and entertaining at your next jazz concert, this medley includes: Everybody Needs Somebody to Love, Soul Man, Soul Finger and I Can’t Turn You Loose.

This catchy riff-based tune uses blues changes, and you can make it as easy or as difficult as you like, depending on the tempo you choose! Solos (or soli) are for sax as well as piano and drums. A wonderful introduction to the exciting music of Charles Mingus, skillfully adapted by Andrew Homzy.

Those who have experienced the lush, well-constructed writing style of Denver-based pianist/composer Dave Hanson need to read no further since you’re already familiar with the consistently high quality of his work. This beautiful mood piece for solo flugelhorn and big band is no exception. Alternating between a straight-eighth note “ECM” feel and a driving Latin groove, this original for proficient groups has the soloist weaving in and out of the arrangement with plenty of soloing opportunity over Latin vamps and modal colors. You won’t want to miss this one! Duration 5:40 Grade Advanced Style EVEN EIGHTHS Features FLUGELHORN

The landmark album by Miles Davis “Birth of the Cool” brought us a unique instrumentation (the nonet) along with distinctive jazz sounds. Without straying from the intent of the music and working directly with the original version, Mike Tomaro's adaptation for standard instrumentation makes this wonderful classic available to the contemporary jazz ensemble. As an added bonus this edition includes the transcribed solos of Gerry Mulligan (bari.), Miles Davis (tpt.) and John Lewis (piano).

Featured in the sensational motion picture Ray, this hot big band chart is typical of the gospel-flavored swing style made famous by Ray Charles. John's authentic sounding adaptation has all the ensemble excitement of the original, plus solo space for tenor and/or piano.

Gotta have this one! Composed by Grammy winner and jazz legend Herbie Hancock, arranged for you by Alan Baylock, this is funky and hip. Open solo space for all, lead trumpet goes up to written D, plus a few hot drum fills. This is a great chart. Duration: 6:30

From the movie musical that rocked the entertainment world, here is an exciting medley that includes the show stoppers “And All That Jazz,” “Cell Block Tango,” and “Roxie.” Great entertainment with a tip of the hat to the styles of early jazz.

From America's jazz master, Duke Ellington, comes this hauntingly beautiful ballad. Mike's outstanding setting features a lush ensemble sound plus solos for alto and piano.

Sly & the Family Stone became a household name in the late '60s and this up-tempo rock tune typifies this group's energetic and funky style. This one will be a blast for your students to play and a “blast from the past” for their parents to hear!

This classic Mingus composition is meant to be performed with a sense of an “anger” or sarcasm, and definitely projects an edginess. The bari sax and bass bone will have fun with the opening and there is plenty for the rest of the ensemble to get excited about as well in this medium swing romp.

From the brash, slightly irreverent, and wildly popular TV series “Family Guy,” here is the supercharged big band style theme adapted by Roger Holmes. The style is medium swing and it features an alto solo along with screaming ensemble hits.

One of the most recognizable tunes from mega-group Earth, Wind & Fire. This exciting production number opens with the slow chorale then launches into one of the best funk grooves ever written! Features a small ensemble on the head, powerful ensemble writing on the choruses and solo space for tenor sax. Hot!

Recorded by the funkmeisters of the 1970s – Earth, Wind & Fire – this is one of their most energetic tunes in a tightly-written and hot-sounding chart. Includes a flexible solo section and solid ensemble scoring.

This invigorating chart stays true to the classic sound of its creator Stevie Wonder. It features a medium slow groove and a flexible solo section. Guaranteed fun.

Mike Tomaro has beautifully adapted this well-known Ellington classic to feature Tenor Sax. With flowing melodies and a lush orchestration this is the perfect ballad.

With no solos required, only a solid driving rhythmic groove, here is an authentic-sounding version of this Earth, Wind & Fire classic. Trombones are featured on the melody and all the signature horn riffs from the original are beautifully captured. Guaranteed fun!

Mix the stylish spy music from the 1960s with a dose of cool jazz and you have a winning combination for jazz ensemble. From the latest Pixar hit movie, here is a high-energy and entertaining chart that captures the essense of the soundtrack.

In a fast samba style reminiscent of Horace Silver's “Nutville”, this energetic chart features trumpet, tenor and trombone backed by a marvellous display of ensemble sounds weaving in and around the melody.

George Shearing's classic from the 50's is arranged here in a moderate Latin style which is actually closer to the original version. Mainly scored for the full ensemble Mark includes a few meter changes to spice things up and there are solos for alto, trumpet and drums. (Flute is optional)

Here is one of the signature dance numbers from the landmark musical West Side Story. Michael Mossman has created a masterful adaptation for jazz band using elements from the original and a creative touch of his own.

Opening softly and featuring an alto sax soloist, this chart builds intensity steadily throughout, leading to the powerful final chorus. Very effective arrangement of one of Michael Jackson's best-known and enduring hits. American Grade 4

Mike Tomaro has taken this Miles Davis standard and created a roaring arrangement that screams with big band excitement. In a medium uptempo swing style, this chart includes solos for trumpet and tenor plus an ensemble shout that really pays off!

Here's a playable yet very effective arrangement of this signature Mingus composition. The familiar bari sax riff is handled by three saxes, and there is also a substantial soli for the entire sax section. 

Originally written for the 1959 John Cassavetes film “Shadows,” Nostalgia in Times Square is a medium tempo blues but with a unique harmonic structure. Beautifully scored for younger ensembles by Sy Johnson, this chart includes a flexible solo section for any combination of alto, tenor, trumpet or trombone.

Titled in honour of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this at a medium tempo or as a blazing burner, the result is the same – a unique-sounding chart that swings like crazy.

Composed by Latin master Tito Puente and made famous by Santana, this is one of the most popular Latin tunes ever written. Here's an oustanding arrangement for jazz ensemble featuring sizzling ensemble writing and solo space for trombone, tenor and trumpet. All Latin percussion parts are carefully notated for an authentic sound.

It doesn't get any funkier than this! James Brown and one of his trademark tunes are a perfect match for Mark Taylor and this outstanding version for jazz ensemble. Features hot writing for the brass and a funky rhythm section groove.

Recorded in 1978 by jazz-influenced pop group Steely Dan, this familiar hit features distinctive harmonies and a great-sounding groove. Solos for alto and trumpet are included along with the rhythmic ensemble punches in this very effective adaptation for jazz ensemble.

This is the unmistakable number 1 hit from the 70's group Average White Band! Mark's ultra-funky and ultra-cool chart written in classic “horn band” style showcases the familiar licks and hot rhythmic groove. Great chart for letting your soloists really open up!

Few jazz ballads have been performed as consistently as this Thelonious Monk gem. Mike's version is a solo vehicle for alto sax and includes a double time feel that alternates with the traditional ballad tempo. Beautiful lines and striking harmonies help create a real standout arrangement.

Here’s the classic funk tune from Earth, Wind & Fire in a terrific arrangement for big band by Mark Taylor. This one includes all your favorite signature horn riffs as well as a solo for tenor sax.

The creative genius of Stevie Wonder never grows old. Here is a hard-hitting medley of hits that opens with the saxes playing lead on Living for the City. Next is You Are the Sunshine of My Life with the trombones followed by trumpets. The entire band gets to wail on Sir Duke, while Signed, Sealed, Delivered I’m Yours starts with the saxes then ends full out with the entire ensemble.

Originally recorded by Sam and Dave, and made popular by The Blues Brothers, this well-known rhythm and blues workhorse is a natural for jazz ensemble. In the skilled hands of Roger Holmes, this one flows nicely but rocks hard!

Paul Jennings' masterful arrangement from 1982 sounds as fresh today as it did 20 years ago. The authentic sounds of Chick Corea's classic are faithfully captured and this new edition is notated in cut time (rather than 4/4) to make it much easier to read. A real gem for every jazz ensemble.

Mike Tomaro takes this funk classic by Stevie Wonder through a series of new twists and turns, but he is careful to preserve the great groove and signature horns riffs from the original. Featured are solos for alto and trumpet.

Recorded by Michael Jackson back in the 1980s, this highly infectious tune has one of pop music's funkiest bass lines plus an all-around great groove. In the hands of Roger Holmes this one is sure to add punch to your next concert.

This tribute by arranger Jeff Hest brings two classics to you with Dorsey’s famous hits, “Song of India” and “I’m Getting Sentimental Over You.” If you have a lead ’bone with range and a sweet sound, then this will be the perfect showcase. Includes standard sax parts plus optional parts for saxes with clarinet doubles. This is the real deal for Tommy Dorsey. Duration: 8:33

Sammy's interpretation of this great old tune is right on target for today's jazz ensembles, with all the class we have come to expect from this master arranger! Written in a relaxed swing style, this chart features lots of tutti ensemble writing, very melodic counter melodies, and also a wonderful sax soli. No solos required.