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Made famous by John Coltrane, but treated here in a more traditional Afro-Latin style, this is something a little different for jazz ensemble. As with all Mossman charts, the rhythm section is meticulously notated to insure the correct style. The 3/4 pattern throughout draws heavily on African influences and the melody is masterfully passed from section to section. A single pentatonic scale works for the solo section making this a wonderful vehicle for involving many soloists.

The Woody Herman Thundering Herd helped set a standard for exciting big band performances and well-crafted charts. This burner is one of Woody's trademark tunes and is arranged here in a powerful setting by Rick Stitzel.

Recorded by David Sanborn here is a wonderful chart in an easy going Latin tempo to feature your sax section as well as lead alto. Great laid back groove and contemporary sounds.

From David Sanborn's CD “Hearsay” comes this funky rock feature for alto sax. This authentic-sounding arrangement features alto and guitar on the melody, tight horn writing and requires a fairly mature rhythm section. A great way to add a contemporary edge to any concert.

Kenny Dorham's relaxed Latin classic is a must for all jazz programs. Mark has retained elements of the original version using a small group (alto, tenor, trumpet and trombone) on the opening statement, then the saxes playing the important secondary theme. Included after the flexible solo section is a sax soli, ensemble shout, and stop-time section featuring the drums. This chart is destined to become a classic in itself.

We're not entirely sure what possessed Mike Tomaro to take what is probably the best-known jazz waltz and turn it into a samba! Actually, the relaxed Latin groove works quite well, and there are solos for trombone and tenor sax. Give it a try!

Originally a hit back in 1941 for the Andrews Sisters, this classic has stood the test of time. Steve Bulla brings us an exciting version of this energetic swing tune with plenty of entertainment value for audience and band alike. Includes solos for trumpet and baritone sax.

The landmark album by Miles Davis “Birth of the Cool” brought us a unique instrumentation (the nonet) along with distinctive jazz sounds. Without straying from the intent of the music and working directly with the original version, Mike Tomaro's adaptation for standard instrumentation makes this wonderful classic available to the contemporary jazz ensemble. As an added bonus this edition includes the transcribed solos of Gerry Mulligan (bari.), Miles Davis (tpt.) and John Lewis (piano).

Composed by the legendary Billy Strayhorn, this is truly one of the masterpieces of jazz. Mark Taylor has beautifully crafted a feature for alto sax using a variety of styles and settings. Basically scored as a ballad, there is a jazz waltz section in the middle. This is followed by a powerful slow swing ensemble shout before returning to the soloist to finish out the chart in the original ballad style. Stunning!

From America's jazz master, Duke Ellington, comes this hauntingly beautiful ballad. Mike's outstanding setting features a lush ensemble sound plus solos for alto and piano.

Mike Tomaro has taken this Beatles favorite and converted it into a unique setting for jazz ensemble. He kept the slow funky groove intact, but went a little nuts harmonically! Includes an optional guitar solo. This is a great chart for something a little different.

Jazz giant Ray Bryant penned this classic mambo and Michael Philip Mossman provides a dynamic setting for jazz ensemble! Fully notated rhythm section parts guarantee an authentic and convincing groove while the band focuses on the spicy hot ensemble passages. With solos for trumpet and alto, and an ensemble chorus that grows with intensity layer by layer, this is one of those charts you'll never get tired of playing.

Using an Afro-Cuban style alternating with an authentically notated cha-cha groove, composer Michael Philip Mossman adds a hint of Egyptian mystery (Dance of da Nile?) in creating this marvelous production number for today's adventurous jazz ensemble. Includes solos for alto and trumpet, as well as space to feature Latin percussion and/or the drummer.

With his usual flair, Mike Tomaro has crafted a brilliant up tempo swinger on this Rodgers & Hart favorite. Great writing without being too difficult, this chart swings from beginning to end and includes solos for trumpet and trombone.

Although a “pop” songwriter/singer by trade, Sting is anything but ordinary. His diverse and unique style draws from jazz as much as pop and this infectious tune is a tribute to his creativity. Mike's smooth rock style arrangement is a great programming change of pace.

Composer Mark Taylor has struck gold again with this original that opens with a maestoso introduction before settling into a Latin Rock style. Saxes take the melody first, followed by the brass. A nice building section using unison lines leads into a solo for guitar. Also includes space for solo fills by the drummer.

Sammy has done a masterful job with this all-time great song. If you have a trombone soloist who doesn't get featured enough along with a good trombone section, check out this bluesy arrangement.

Here is an up-tempo and entertaining swing chart from the hit movie “The Polar Express.” Including crisp ensemble writing with a sprinkling of band vocals, this is a great addition to any concert.

Here is a marvelous medium swing arrangement of this Rodgers and Hart classic that features solos for trumpet and alto, and also a unique sax soli section with a trumpet lead. Big band swing writing at its best!

Benny Golson's tribute to Clifford Brown has been a jazz favorite for years, and in the hands of Sammy Nestico you won't find a better feature for trumpet or flugelhorn. Silky smooth!

Here's a swingin' chart in a medium fast tempo featuring the entire sax section! Mark very effectively uses the brass to compliment the sax soli sections, and there are also solos for alto and tenor. Written in such a smooth style, this one almost plays itself!

Here is a unique yet highly effective rendition of this Latin favorite by arranging craftsman, Frank Mantooth. Using an up-tempo groove, a fresh harmonic structure and interesting orchestration textures, Frank has created a winner for mature bands. An extended introduction helps establish the mood and the first statement is presented by a small combo of alto, trumpet and trombone.

From the 1960's Broadway production “All American,” this ballad has enjoyed wide popularity among jazz artists and has been recorded countless times. The beautiful melody and marvelous changes are blended perfectly in this feature for alto sax.

One of the highlights from Miles Davis' landmark recording “Birth of the Cool” is this medium swing composition by Gerry Mulligan. Skillfully adapted for full jazz ensemble from the original, this arrangement features solos for trumpet and baritone sax (opt. tenor), as well as stellar ensemble writing. A classic!

A solid swingin' arrangement of this TV theme to the “Tonight Show” captures the authentic sound of the original and is a blast to perform. “Here's Johnny!”

Here's a smooth new samba from the pen of John Berry that opens with a trumpet and alto duet. A statement by the entire trumpet section is then followed by the churning full ensemble interspersed with solo drum fills. John's creative harmonic sense gives this a unique and appealing sound. Includes solos for trumpet and alto, as well as an optional open percussion section.

Recorded by Grover Washington Jr. with Bill Withers, this tune helped define the “smooth” jazz sound. Silky smooth and well orchestrated, this is a delightful addition to any concert.

A tribute to one of the greatest jazz trombonists ever, here is a beautiful arrangement of J.J. Johnson's “Lament”. Fittingly, the trombones are featured as a section for the first part of the arrangement followed by a solo for piano. A wonderful ballad!

George Shearing's classic from the 50's is arranged here in a moderate Latin style which is actually closer to the original version. Mainly scored for the full ensemble Mark includes a few meter changes to spice things up and there are solos for alto, trumpet and drums. (Flute is optional)

Here is a great arrangement of this Latin classic done in an authentic Latin style but with a big band twist. All the rhythm parts are carefully notated taking the guesswork out of interpreting this complex style. This medium tempo chart features rich voicings, a feature spot without rhythm section and solo space for alto and trumpet. Very smooth!

The soundtrack for the classic movie “Soapdish” contains a wealth of hot Latin tunes perfect for jazz ensemble. Roger's sizzling setting will be a great addition to any concert, featuring short solos for trombone and trumpet and solid ensemble riffs.

Recorded by the group Big Bad Voodoo Daddy, this is a great medium-tempo mambo to add a little Latin spice to your program. Roger's excellent chart features distinctive melodies, solos for tenor and/or trumpet, a percussion break and a hard-hitting final chorus. This is hot!

Dizzy Gillespie was a genius at combining Latin influences with the jazz idiom. This medium tempo arrangement of one of his best-known compositions really sizzles for jazz ensemble.

Mike Tomaro has taken this Miles Davis standard and created a roaring arrangement that screams with big band excitement. In a medium uptempo swing style, this chart includes solos for trumpet and tenor plus an ensemble shout that really pays off!

Dedicated to Frank Mantooth. Style: medium up swing. Ranges: C6 trumpet, Bb4 trombone. Open solo section. Rhythm section parts notated with chords cued. Standard instrumentaton. Grade: medium advanced.