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Here’s a great swing chart for proficient groups that exploits a well-known lick normally used for endings. The bebop feel stresses a broader interpretation of the triplet feel, rendering a more authentic concept. There is a lot of trades between the band and the drummer, frequent contrapuntal writing, and a few surprises. This marks the first Les Hooper chart in the Kendor catalogue, so we welcome Les to the Kendor family of writers and look forward to many more charts from this well known and talented jazz writer! Duration 4:05.

Made famous by John Coltrane, but treated here in a more traditional Afro-Latin style, this is something a little different for jazz ensemble. As with all Mossman charts, the rhythm section is meticulously notated to insure the correct style. The 3/4 pattern throughout draws heavily on African influences and the melody is masterfully passed from section to section. A single pentatonic scale works for the solo section making this a wonderful vehicle for involving many soloists.

This memorable hit recorded by Earth, Wind, & Fire provides some of the nicest harmonies in today's music. This outstanding ballad featuring Flugel and Alto Sax is the perfect addition to any program.

Arranged here in a Basie-style slow swing setting, this well-crafted chart starts out as a study in ensemble writing with the brass in buckets and the drums on brushes. Later there is a solo for trumpet followed by a shout chorus where the full band really lets loose.

Arranged here in a unique samba setting, Michael Mossman provides some surprising twists and turns in this familiar Latin classic by Antonio Carlos Jobim. Every section gets into the act, along with a solo for tenor sax, soli spots for the saxes and brass, and some hard-hitting full ensemble passages.

Re-promotion. Mike Tomaro has penned a Latin style version of one of Jerome Kern's most often performed classics. Mike's creativity and total command of the idiom shines through in this superb chart.

The Woody Herman Thundering Herd helped set a standard for exciting big band performances and well-crafted charts. This burner is one of Woody's trademark tunes and is arranged here in a powerful setting by Rick Stitzel.

You guessed it, this chart is an up-tempo swinger. Les Hooper’s arrangement will keep everyone moving forward on this original based on “Rhythm” chord changes. Solo space is for tenor and alto plus an open solo section for all players and a hot shout choruses too. Exciting! Duration: 3:48

Here's a great old standard in the hands of a great arranger who really understands how to use the colors of the jazz ensemble. The style is relaxed swing and a trombone solo is featured.

From David Sanborn's CD “Hearsay” comes this funky rock feature for alto sax. This authentic-sounding arrangement features alto and guitar on the melody, tight horn writing and requires a fairly mature rhythm section. A great way to add a contemporary edge to any concert.

From the landmark jazz album ‘Kind of Blue’ by Miles Davis, Les Hooper adds his own stamp of originality and craftsmanship with this outstanding setting. The trumpet soloist is supported by a light rock groove and lush backgrounds. Solo space is also provided for alto sax.

Mark Taylor has created an effective new treatment of a great standard song. Alternating between a samba feel and swing, this chart also uses contrasting textures of small group playing and full ensemble. Includes solos for Tenor and/or Guitar and features a nice sax soli. Great choice for contest.

Here is a swingin’ blues from Oscar Pettiford that has been a favorite with jazzers for years. Along with superbly scored ensemble sections, this chart also features solos for tenor and trombone. You’ll have fun with this one!

We're not entirely sure what possessed Mike Tomaro to take what is probably the best-known jazz waltz and turn it into a samba! Actually, the relaxed Latin groove works quite well, and there are solos for trombone and tenor sax. Give it a try!

When the trombone section gets a chance to speak, it's usually with a touch of attitude and style. This sassy shuffle tune in a moderately slow tempo gives them a great opportunity to take the spotlight. Includes a flexible solo section and some nice ensemble sections as well.

This catchy riff-based tune uses blues changes, and you can make it as easy or as difficult as you like, depending on the tempo you choose! Solos (or soli) are for sax as well as piano and drums. A wonderful introduction to the exciting music of Charles Mingus, skillfully adapted by Andrew Homzy.

Originally a hit back in 1941 for the Andrews Sisters, this classic has stood the test of time. Steve Bulla brings us an exciting version of this energetic swing tune with plenty of entertainment value for audience and band alike. Includes solos for trumpet and baritone sax.

The landmark album by Miles Davis “Birth of the Cool” brought us a unique instrumentation (the nonet) along with distinctive jazz sounds. Without straying from the intent of the music and working directly with the original version, Mike Tomaro's adaptation for standard instrumentation makes this wonderful classic available to the contemporary jazz ensemble. As an added bonus this edition includes the transcribed solos of Gerry Mulligan (bari.), Miles Davis (tpt.) and John Lewis (piano).

Featured in the sensational motion picture Ray, this hot big band chart is typical of the gospel-flavored swing style made famous by Ray Charles. John's authentic sounding adaptation has all the ensemble excitement of the original, plus solo space for tenor and/or piano.

Here's a fresh version of this Ellington classic done in a Latin style that really sizzles. Solid and creative writing for the entire ensemble.

Composed by the legendary Billy Strayhorn, this is truly one of the masterpieces of jazz. Mark Taylor has beautifully crafted a feature for alto sax using a variety of styles and settings. Basically scored as a ballad, there is a jazz waltz section in the middle. This is followed by a powerful slow swing ensemble shout before returning to the soloist to finish out the chart in the original ballad style. Stunning!

From America's jazz master, Duke Ellington, comes this hauntingly beautiful ballad. Mike's outstanding setting features a lush ensemble sound plus solos for alto and piano.

Mike Tomaro has taken this Beatles favorite and converted it into a unique setting for jazz ensemble. He kept the slow funky groove intact, but went a little nuts harmonically! Includes an optional guitar solo. This is a great chart for something a little different.

Dizzy Gillespie was a pivotal figure in the connection between Jazz and Afro-Cuban music. This exciting chart explores this relationship, combining authentic Cha Cha and Bembe with straight ahead swinging jazz. A tenor sax solo is featured and look for some quotes from Dizzy's original recordings

Jazz giant Ray Bryant penned this classic mambo and Michael Philip Mossman provides a dynamic setting for jazz ensemble! Fully notated rhythm section parts guarantee an authentic and convincing groove while the band focuses on the spicy hot ensemble passages. With solos for trumpet and alto, and an ensemble chorus that grows with intensity layer by layer, this is one of those charts you'll never get tired of playing.

Using an Afro-Cuban style alternating with an authentically notated cha-cha groove, composer Michael Philip Mossman adds a hint of Egyptian mystery (Dance of da Nile?) in creating this marvelous production number for today's adventurous jazz ensemble. Includes solos for alto and trumpet, as well as space to feature Latin percussion and/or the drummer.

With his usual flair, Mike Tomaro has crafted a brilliant up tempo swinger on this Rodgers & Hart favorite. Great writing without being too difficult, this chart swings from beginning to end and includes solos for trumpet and trombone.

From one of the hottest movie musicals to come along in a long time, here is a dynamic medley of production numbers from the show. Including “Hard to Say Goodbye, My Love,” “Move (You're Stepping on My Heart)” and “Fake Your Way to the Top,” this arrangement has plenty of energy and drive.

Charlie Mingus' distinctive take on the classic Ellingtonian ballad style provides a beautiful showcase for a variety of soloists, as well as lush full ensemble scoring. Also included is an optional solo for flute or piano. 

The movie “Soapdish” featured a soundtrack loaded with sultry mambo sounds. This lively tune from the movie is faithfully recreated by Roger Holmes and churns with Latin drive.

This classic Mingus composition is meant to be performed with a sense of an “anger” or sarcasm, and definitely projects an edginess. The bari sax and bass bone will have fun with the opening and there is plenty for the rest of the ensemble to get excited about as well in this medium swing romp.

This chart is a showstopper. One of Dave Wolpe’s finest charts, this tune has meter changes, key changes, and solos for trumpet, tenor and piano. This superior chart is worth every minute of rehearsal! Duration 3:00

Mike Tomaro's arrangement transforms this Wayne Shorter classic from its combo origins into a swinging vehicle for big band. The relaxed swing feel and harmonies of the original are retained in this terrific setting that includes solos for alto sax and trumpet.

Although a “pop” songwriter/singer by trade, Sting is anything but ordinary. His diverse and unique style draws from jazz as much as pop and this infectious tune is a tribute to his creativity. Mike's smooth rock style arrangement is a great programming change of pace.

Composer Mark Taylor has struck gold again with this original that opens with a maestoso introduction before settling into a Latin Rock style. Saxes take the melody first, followed by the brass. A nice building section using unison lines leads into a solo for guitar. Also includes space for solo fills by the drummer.

Here is one of Billy Strayhorn's lesser-known ballads that is every bit as beautiful as some of his more popular compositions. Arranged by Mike Tomaro as a feature for alto sax, it contains a wealth of ensemble colors and an interesting harmonic structure.

Here is a Metheny-flavoured chart to feature 2nd trombone and guitar. Solo space for both is provided, a few easy meter changes to 3/4, lead trumpet range is to B-flat above the staff with an optional D. A tasty chart perfect for concert or festival as composed and arranged by Kris Berg. Duration: 5:06

Dave Barduhn has given this laid-back Hoagy Carmichael classic an inventive down and dirty treatment. It's a proven crowd-pleaser, and with the impressive alto feature, it's certain to become a favourite of all who play it.

The unmistakable style of Neal Hefti is apparent in this popular swing standard. Mark's well-paced chart starts with the full ensemble playing soft. After an Alto Sax solo, it builds to a full-blown shout and then tapers to a quiet ending. Real smooth!

Sammy has done a masterful job with this all-time great song. If you have a trombone soloist who doesn't get featured enough along with a good trombone section, check out this bluesy arrangement.

Here is a beautiful arrangement of Charles Mingus' signature ballad featuring altos and trumpets playing the melody off the top, then later joined by the entire ensemble. Sample written solos are provided for the short solo or soli spots for trumpet and trombone. A jazz classic!

Originally recorded by the Beatles, John Wasson's version is actually closer in style to the hot rock/shuffle version recorded by Earth, Wind and Fire. Plenty of energy and tight ensemble figures with a great groove

Featuring a dark intensity and a powerful unison riff figure in minor, this medium swing chart is a great showcase for your bass player as well as the trombone section. The harmonic structure is quite simple, but the depth of the arrangement comes from the thematic layers that are added throughout. Written solo (or soli) sections are included for the trombones and also trumpets.

This original jazz tune utilizes a variety of devices to add interest. Unison melodies, tutti sections, sax solis, and an open chorus for solos are features of this substantive chart for proficient groups. Chord sheets are provided for alto sax, tenor sax, baritone sax, trumpet, or trombone soloists. Flexible background figures allow for brass to play for saxophone solos and vice-versa. Duration 3:50 without additional solos Grade Advanced Style MODERATELY BRIGHT SWING

This standard from the 40's has been recorded countless times in recent years and remains a staple in jazz libraries everywhere. Mike Tomaro's creative version shines new and invigorating light on this classic with a contemporary shuffle groove and fresh harmonies. Includes solos for alto and piano.

Drawing inspiration from the hot version recorded by Aretha Franklin, Roger Holmes takes this Motown favorite (originally recorded by Sam & Dave) and creates a sizzling chart for big band. A driving rock groove and powerful ensemble lines help to make this one a winner.

Here is an up-tempo and entertaining swing chart from the hit movie “The Polar Express.” Including crisp ensemble writing with a sprinkling of band vocals, this is a great addition to any concert.

Here is a hot chart by Eric Richards. A swing-funk groove on a great bebop jazz tune loaded with energy. Features: the lead is played by alto, tenor and trumpet with some tricky lines, lead trumpet range is up to written high D (optional F-sharp), a nice soli for saxes, lead sax is soprano sax with an optional alto part included. Whew, it is a “Hot House.” Duration: 4:08

A power chart from one of the finest contemporary jazz big band writers today, Alan Baylock. A driving shuffle swing at a medium tempo with solos for alto, trombone and piano. Lead trumpet range to written high D (optional F) and nice thick harmonic texture for the entire ensemble. Festival material! Duration: 6:22

Here is a unique and somewhat moody ballad featuring trombone lead. The colourful rhythm section scoring and rich harmonic structure make this an appealing change of pace for festivals or concerts.

Here is a marvelous medium swing arrangement of this Rodgers and Hart classic that features solos for trumpet and alto, and also a unique sax soli section with a trumpet lead. Big band swing writing at its best!

Featuring a freewheeling New Orleans style street beat alternating with straight-ahead swing, here is a Monk favourite in a unique and creative setting. Trumpet and tenor share the melody, and solo space is included for trombone and piano

Benny Golson's tribute to Clifford Brown has been a jazz favorite for years, and in the hands of Sammy Nestico you won't find a better feature for trumpet or flugelhorn. Silky smooth!

Here's a swingin' chart in a medium fast tempo featuring the entire sax section! Mark very effectively uses the brass to compliment the sax soli sections, and there are also solos for alto and tenor. Written in such a smooth style, this one almost plays itself!

Hot off their new CD, Big Bad Voodoo Daddy cuts loose on this Disney favourite from The Jungle Book. It's been turned into a mambo and it really cooks for jazz ensemble.

Mike Tomaro's tasteful rendering of this classic ballad from Alec Wilder features subtle reharmonizations and a lush orchestration. Includes solo space for trumpet and piano.

Classic Ellington swinger! Gordon's medium tempo chart features the saxes at the start and them lets the ensemble carry it and build to the Alto solo. This one goes down smooth

From the 1960's Broadway production “All American,” this ballad has enjoyed wide popularity among jazz artists and has been recorded countless times. The beautiful melody and marvelous changes are blended perfectly in this feature for alto sax.

Mike Tomaro has beautifully adapted this well-known Ellington classic to feature Tenor Sax. With flowing melodies and a lush orchestration this is the perfect ballad.

Here is a unique yet highly effective rendition of this Latin favorite by arranging craftsman, Frank Mantooth. Using an up-tempo groove, a fresh harmonic structure and interesting orchestration textures, Frank has created a winner for mature bands. An extended introduction helps establish the mood and the first statement is presented by a small combo of alto, trumpet and trombone.

Skillfully adapted directly from the famous version recorded by Miles Davis on the landmark album “Birth of the Cool,” this arrangement for standard jazz ensemble instrumentation features an advanced harmonic structure along with the inherent ultra-smooth style. The solos for alto and trumpet include transcriptions from the original recording, and additional optional solo space is provided for extending the length of the arrangement if desired. 

One of the most engaging and lighthearted of all Mingus' compositions, this was originally meant to provide a musical bridge from Jelly Roll Morton to Mingus' own unique compositional voice. Here is a marvelous version for big band that alternates between a medium slow 2-beat feel and straight ahead swing. Includes solos for trombone, alto and trumpet.

One of the highlights from Miles Davis' landmark recording “Birth of the Cool” is this medium swing composition by Gerry Mulligan. Skillfully adapted for full jazz ensemble from the original, this arrangement features solos for trumpet and baritone sax (opt. tenor), as well as stellar ensemble writing. A classic!

A solid swingin' arrangement of this TV theme to the “Tonight Show” captures the authentic sound of the original and is a blast to perform. “Here's Johnny!”

Definitely the flag ship of the current jump swing style, this tune was made famous again by Brian Setzer on his popular “The Dirty Boogie” big band CD. Mark Taylor takes it one step further in this smokin' arrangement. Featuring solos for tenor and guitar, soaring sax lines and ensemble hits, this chart never lets up!

Here's a smooth new samba from the pen of John Berry that opens with a trumpet and alto duet. A statement by the entire trumpet section is then followed by the churning full ensemble interspersed with solo drum fills. John's creative harmonic sense gives this a unique and appealing sound. Includes solos for trumpet and alto, as well as an optional open percussion section.

Recorded by Grover Washington Jr. with Bill Withers, this tune helped define the “smooth” jazz sound. Silky smooth and well orchestrated, this is a delightful addition to any concert.

John Wasson takes this classic rhythm and blues tune from the 60's and dresses it up in this ultra funky version for jazz ensemble. Featuring powerful ensemble writing and a solo for tenor, this impressive chart is sure to be a crowd favourite.

This jazz gem from the pen of Tadd Dameron features an easy flowing swing style and adapts wonderfully for full jazz ensemble. Mark's arrangement includes a small group (alto, tenor, bari., trumpet, trombone, guitar and vibes) off the top that contrasts nicely with the full ensemble figures. Also included is a swingin' sax soli, solos for trombone and alto, and a tutti full band chorus that starts out soft minus drums, then builds to a peak

A tribute to one of the greatest jazz trombonists ever, here is a beautiful arrangement of J.J. Johnson's “Lament”. Fittingly, the trombones are featured as a section for the first part of the arrangement followed by a solo for piano. A wonderful ballad!

Here's a fresh sounding new original from Frank Mantooth. Written as a medium tempo Bossa, this inventive piece features a front line of trumpet, tenor, and trombone with solo space for each and well crafted ensemble writing.

Inspired by the famous arrangement that Quincy Jones penned for Ray Charles, here is an impressive offering that pays tribute to Ray's genius for style and showmanship. This is hard-hitting big band writing at its best!

Many jazz artists (recently includiing Diana Krall) have recorded this bluesy gem. George's skillfully paced version opens with a hard-hitting intro followed by the saxes on the slow and evocative melody. Also featured is an alto sax solo with screaming brass punches. This one is powerful and effective.

Composer/arranger Alan Baylock delivers an inspired Afro-Cuban 12/8 groove to feature the lead alto sax with solo space. The melody is played by alto sax and trumpet. Lead trumpet range is to high D with optional E. An outstanding chart!. Duration 5:28

John Berry has taken this Cole Porter favourite and converted it into a real powerhouse chart for big band. Not just a re-hash of the version recorded by Buddy Rich, this exciting treatment alternates between Latin and swing styles, and features crisp ensemble writing throughout. Included is a solo for trumpet and a swingin' soli for the saxes.

Re-issue. Master craftsman Sammy Nestico has beautifully arranged this familiar standard as a solo feature for alto sax. Starting out in a slow ballad style, the solo section shifts to a double time feel. Lush harmonies and powerful full band passages complement the soloist in this outstanding arrangement.

George Shearing's classic from the 50's is arranged here in a moderate Latin style which is actually closer to the original version. Mainly scored for the full ensemble Mark includes a few meter changes to spice things up and there are solos for alto, trumpet and drums. (Flute is optional)

Here is Billy Strayhorn's beloved ballad, skillfully arranged with subtle reharmonizations and reworkings of the melody, all the while remaining faithful to the original intent. Featured are solos for piano and trombone. A gorgeous setting for the entire ensemble

Here is a great arrangement of this Latin classic done in an authentic Latin style but with a big band twist. All the rhythm parts are carefully notated taking the guesswork out of interpreting this complex style. This medium tempo chart features rich voicings, a feature spot without rhythm section and solo space for alto and trumpet. Very smooth!

The soundtrack for the classic movie “Soapdish” contains a wealth of hot Latin tunes perfect for jazz ensemble. Roger's sizzling setting will be a great addition to any concert, featuring short solos for trombone and trumpet and solid ensemble riffs.

Recorded by the group Big Bad Voodoo Daddy, this is a great medium-tempo mambo to add a little Latin spice to your program. Roger's excellent chart features distinctive melodies, solos for tenor and/or trumpet, a percussion break and a hard-hitting final chorus. This is hot!

Mike Tomaro has taken this Miles Davis standard and created a roaring arrangement that screams with big band excitement. In a medium uptempo swing style, this chart includes solos for trumpet and tenor plus an ensemble shout that really pays off!

Recorded by Michael McDonald, this bluesy tune features a moderate shuffle groove and a distinctive contemporary sound. Scored with plenty of variety, this appealing chart also includes solo space for trumpet and/or tenor sax.

Dedicated to Frank Mantooth. Style: medium up swing. Ranges: C6 trumpet, Bb4 trombone. Open solo section. Rhythm section parts notated with chords cued. Standard instrumentaton. Grade: medium advanced.

Explore the exciting world of “mambo” with this Michael Philip Mossman original. A variety of moods and meters are used and there is solo space for dueling alto saxes, trombone and trumpet. The angular melody and quartal harmonies give this one a distinctive sound, ensuring that your players will have a ball.

Originally recorded by jazz fusion masters, The Rippingtons, this chart for jazz ensemble features a great “Birdland-like” groove and Gordon Goodwin’s creativity and total command of the big band idiom. The sax section is featured along with solo space for alto. Originally published in 1992, here’s a chart that will never sound old.

Here is a marvelous big band setting of this bebop classic from Miles Davis. Arranged in a medium up-tempo swing feel, this chart is loaded with great ensemble writing with the melody being traded among all the sections of the band.

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

This Mark Taylor original is written in a moderate samba style and starts with a quartet of alto, tenor, trumpet and trombone at the top. Also featured are ensemble riffs trading with solo drum fills. The flexible solo section is followed by a soft tutti ensemble section that builds to a powerful finish

Originally written for the 1959 John Cassavetes film “Shadows,” Nostalgia in Times Square is a medium tempo blues but with a unique harmonic structure. Beautifully scored for younger ensembles by Sy Johnson, this chart includes a flexible solo section for any combination of alto, tenor, trumpet or trombone.

This cookin' original from Mark Taylor opens with the rhythm section setting up the groove before the saxes take the first statement of the head. Packed with energy throughout, this medium tempo blues chart features plenty of solid ensemble writing, solo space for trumpet and tenor, plus a final ensemble shout that includes some solo fills for your drummer. Powerful! 

One of the true jazz gems from the magnificent catalog of Billy Strayhorn. Using Billy's original score, this adaptation features alto sax throughout and a kaleidoscope of ensemble backgrounds creating a rich and colorful setting.

Here's a tuneful jazz standard by the master of jazz piano, Bill Evans. This creative and appealing medium swing chart features interesting counterpoint along with the classic melody. Tenor sax and trumpet share the solo duties.

Style: ballad. Ranges: D6 trumpet, A4 trombone. Solos: flugelhorn, piano. Rhythm section parts partially notated with chords cued. Standard instrumentaton plus 5th Trumpet/flugelhorn and 5th Trombone. Grade: medium advanced.

From the master of Latin music, this is one of Jobim's best. Mark's excellent treatment features tenor sax and nice ensemble writing.

Written in a driving Latin feel, this energetic original features biting melodies, edgy harmonies and even foot stomps and hand claps. Including a solo for tenor sax and plenty of powerful ensemble writing, this is certain to be an exciting addition to your repertoire.

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let up. Includes solos for alto, tenor, trumpet and trombone as well as tight characteristic full ensemble punches. Skillfully done!

Few jazz ballads have been performed as consistently as this Thelonious Monk gem. Mike's version is a solo vehicle for alto sax and includes a double time feel that alternates with the traditional ballad tempo. Beautiful lines and striking harmonies help create a real standout arrangement.

Made popular by 'The Manhatten Transfer.' From the opening trombone statement to the swinging ensemble sections, this chart cooks!

Here is the St. Louis Blues like you've never heard it before! It opens in a slow New Orleans style with optional parts for clarinet and tuba. Quickly shifting key and tempo, this masterful arrangement twists and turns through new and uncharted territory. A classic tour-de-force!

Pay tribute to Dizzy Gillespie, one of the legendary giants of jazz, with this hot up-tempo arrangement. One of Dizzy's catchiest and best-known tunes, this will certainly add a spark of energy on any concert

This medium tempo samba features a quartet of alto, tenor, trumpet and trombone on the melody along with clever counterlines from the rest of the ensemble. A recurring unison bass line riff holds it all together amid a solo section for alto and trumpet, then a drum/percussion feature section. The tutti ensemble chorus starts soft then builds gradually to a roar before returning to the head.

Originally recorded by Charles Mingus on his Mingus Ah Um album in 1959, Sy Johnson has transformed this through-composed ballad into a stunningly beautiful setting for full jazz ensemble. Featuring effective dynamic contours, a nice variety of textures, and solos for trumpet and tenor, this will become a focal point for concerts.

This familiar Stevie Wonder ballad was a pop hit in 1979 and has been imaginatively reworked here as a relaxed samba. Beautifully scored, this chart includes solos for alto sax and guitar (or piano). Nice change of pace!

Made famous by Earth, Wind & Fire, this may be one of the funkiest grooves ever recorded. Deceptively simple sounding, this medium tempo chart displays a level of sophistication suited for any festival while providing a rhythmic foundation to really rock the stage!

This chart for proficient groups is a well-deserved tribute to jazz legend Horace Silver. You’ll immediately hear the style and tempo reference to one of Silver’s best-known tunes, “Song For My Father.” Dave Hanson expertly weaves contrapuntal lines into the infectious bossa feel. Rhythmic contrast is also a feature of this well-crafted original, so there’s no lack of excitement as the piece builds to a Spanish-tinged key change and climax. Duration 5:20.Grade Advanced Style BOSSA/EVEN EIGHTH FEEL

From Brian Setzer's CD “The Dirty Boogie,” John Berry's arrangement of this slow yet powerful swing chart really screams with the full ensemble right from bar 1. Each section gets a chance at the lead before the entire band hits you again with a magnificent tutti shout. The short solo can be played by trumpet or guitar.

Slappin', poppin' funk recorded by jazz fusion saxophonist David Sanborn! Mark Taylor has done a great job of capturing this distinctive sound in this churning chart.

This modern straight eighth note feel composition for proficient groups is inspired by the music of Gil Evans and Bob Brookmeyer. Set in a medium tempo, the broad harmonic and melodic landscapes give the players sufficient freedom to express themselves through interaction with one another. A quick study of the score reveals a style of orchestration that doesn’t conform to the norm. Thematic material is often stated by instrument groupings of two and three players, versus dividing into sections (sax, trumpet, trombone). We welcome Tom Garling to the Kendor family of writers with this innovative chart! Duration 10:00. Grade Advanced Style STRAIGHT 8TH ECM FEEL

Pat Metheny for jazz ensemble! This very hip Latin songo chart arranged by Alan Baylock includes solos space for alto sax and trumpet. Lead trumpet range is to written D, with optional F-sharp cue notes. Duration 6:35

Legendary composer/performer Wayne Shorter has contributed many outstanding jazz standards over the years. On Speak No Evil, one of his best-known gems, Mike Tomaro has created a beautiful arrangement in a medium swing style featuring solos for tenor and drums.

An outstanding Kenton style ballad. Kris Berg has arranged a superb chart to showcase the lead trombone and trombone section. No improvised solos and lead trumpet is range is to written C above the staff with an optional D sharp. A stellar chart! Duration 4:18

Frank Mantooth is one of today's most creative arrangers for jazz ensemble and he treats us here to a marvelously unique take on this well-known standard. The style is straight-ahead swing but the harmonic structure is fresh and the ensemble writing is super. It starts with alto and trumpet on the melody and includes solo space for any combination of alto, trumpet or trombone.

Written as a feature for alto sax, this bluesy standard comes with a comfortably slow and sensuous swing style and plenty of solid playing for the full ensemble as well. Great change-of-pace programming!

Made famous by Nat King Cole, and recorded by countless jazz artists, this catchy swing favorite features a nice medium groove and impeccable scoring in the skilled hands of Stephen Bulla.

Spreading the “gospel of jazz” according to well-respected composer/arranger Sy Johnson, this medium slow shuffle chart features a distinctive personality and style. With lots of tutti ensemble proclamations as well as solos for alto, tenor and trumpet, this outstanding chart will have your audience converted in no time. Amen!

Leave it to Michael Mossman to combine two unique Latin styles (tango and bossa nova) into a single composition! The saxes take the lead on the sultry tango theme punctuated by the brass, then a trumpet soloist takes over when the bossa style kicks in. This is ingenious writing that really works! 

Here is the early funk classic by Buddy Miles in a hot setting by Roger Holmes. Along with the signature bass riff, this chart features flexible solo space for any instrument and crisp background horn figures.

With a tip of the hat to the swing ballad stylings of Mr. Basie, here is a marvelous original from the pen of Steve Allee. With a beautiful sense of pacing and full band orchestrations, this chart makes it easy for your group to sound great! Also featured are a trumpet solo and tasty piano fills (naturally).

Due in part to its sophisticated jazz harmonies, this Stevie Wonder tune has been a favorite with jazz artists for years. This funky stylized version by Mike Tomaro brings it to the concert stage with flare and excitement. Tenor and trombone soloists share the spotlight, along with an energy-charged rhythm section.

Here is a re-creation and transcription of three classic hits made famous by the late, great clarinetist Artie Shaw. Arranger Jeff Hest has gone the extra mile to provide an accurate transcription of “What Is This Thing Called Love,” Softly as in a Morning Sunrise,” and “Begin the Beguine.” To keep this chart accessible, the solo clarinet part is playable by a competent clarinetist. An optional baritone sax part is included. A wonderful arrangement! Duration 6:54

This smooth and moderately paced bossa is a perfect feature for your flugelhorn soloist. The beautiful melody is in an easy range for this instrument and the ensemble lends lush sounding support. A sample written solo is provided and a full band feature section gives a little relief for the soloist. Great for festivals or as a programming change of pace.

This Latin funk tune starts out softly, then gradually picks up intensity as layers of sound are added until finally the entire ensemble is cookin'. Nice feature spots are provided for your drummer in addition to a solo for tenor sax.

Thelonious Monk was a master of creating distinctive melodies in the bebop style and this is one of his best-known offerings. Mark starts out by giving the melody to a small group of trombones, tenors, and bari. sax before turning it over to the entire sax section. After the trumpet solo section, there is a marvelous sax soli followed by solo space for tenor sax and a shout chorus for the full ensemble. This great chart has something for everyone!

This classic Marvin Gaye hit has always been a favourite with jazzers and has great crossover appeal. From the CD “Out of the Woods” by the Les Hooper Band, this funky version is infused with a West Coast attitude and is packed with energy and drive. A solo for alto sax is featured.

This naturally swingin' tune has been a favourite among jazz artists for many years. Sammy's craftsmanship in orchestration is evident in this medium swing arrangement which requires no solos. A strong chart that will really give your band a chance to cook!

Perfect as a concert opener, this uptempo chart takes this standard tune through a variety of styles including samba, jazz waltz, funk, and half-time swing. Cleverly arranged by Mike Tomaro, this one is sure to turn some heads! Includes a solo for alto.

(It's a Beautiful Day in this Neighbourhood) The world mourns the loss of one of its most genuinely kind souls with the passing of Mister Rogers. Fellow Pittsburgh “neighbor” Mike Tomaro pays tribute to this most famous of musical themes in this laid back Samba setting. Sophisticated and hip, solos are included for tenor and trombone.

Recorded by Eurythmics in 1985, here is an exciting up-tempo rock chart featuring hot ensemble licks and a relentless rhythmic pulse.

Originally a pop hit for The Police in the '80s, Mike Tomaro uses extensive reharmonizations and creative timbral shadings in this marvelous adaptation. The groove is slightly slower than the original but just as effective. Solo space is included for piano and alto sax.

Although bebop master Charlie Parker is known for his blazing improvisations and advanced melodies, this is one of his most approachable and melodic compositions. Lending itself perfectly to a big band setting, and in the hands of Mark Taylor, this swingin' tune becomes an impressive-sounding chart for jazz ensemble.

Jazz master Wayne Shorter has given us a wealth of jazz standards and this is one of his best. Written in an up-tempo swing style, this impressive-sounding chart features solos for alto and trumpet.