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Try this slow, yet hard-swinging shuffle on your next big band outing. The bluesy sound emphasises the groove, and is accessible for developing groups. This chart includes a written solo-though the composer encourages aspiring soloists to improvise over the entire solo section using a five-note cell from which to base their ideas. This tune features Kendor Konvertible instrumentation - meaning that it can be played by as few as 9 players. A guitar chord chart by Jim Greeson is included in each set. Duration 4:05. Grade Easy Style SLOW SHUFFLE

From the movie Happy Feet, Adelieland” is high-energy mambo! Victor Lopez, the mambo king, has made this exciting groove assessable to the young player. Solos are written out for each wind section or individual. Lead trumpet range goes to written G on top of the staff. An auxiliary percussion part is included along with optional parts for flute, tuba, F horn and baritone horn. It’s mambo madness! Duration: 2:43

With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a chorus of their own. The simple solo section (using a single scale) makes this a great training piece for improvisation (sample solos are provided for all keys). A marvelously unique offering at the easy level!

Here's a nice change-of-pace swing tune with a tempo just relaxed enough to make it easy for younger groups to handle comfortably. Plenty of tutti ensemble playing and lush harmonies.

Includes Full performance CD. Classy Latin sounds abound in this moderately paced chart that showcases the melodic and harmonic genius of Antonio Carlos Jobim. Opening with a rhythm section vamp, the trumpets take the first chorus, then provide a creative counterline as the saxes take over. Scored to sound full with young players, this chart will sound great with few rehearsals. Short written (or ad lib.) solos are featured for alto and trumpet.

This medium swing tune is one of the most recognizable standards ever written. Beautifully adapted for young players, this chart will work great for festivals and concerts alike. After the first 3 notes of the melody, your audience will be snapping along.

This chart employs a tuneful melody and is playable by 10-17 players; optional parts are included for flute, clarinet, horn in F, tuba and vibes. Whether your ensemble has some experience or is in the developmental stages, this chart is suitable for all performance situations, particularly festivals. All instruments have interesting parts to play, ranges are reasonable, and rhythm parts are completely notated with chord symbols provided. “As is” or ad lib solo space is offered for alto sax, tenor sax, trumpet, and trombone. The final six measures of the chart reveal a clever ending, hence the title, All’s Well That Ends Well. A guitar chord chart by Jim Greeson is included in each set. Duration 3:00.

Made famous by the Count Basie Orchestra, here is a great-sounding, yet playable version of this standard for developing bands. Including feature spots for every section and optional solos for trumpet and trombone, Rick does a nice job of maintaining an authentic sound even in this easy version. (Includes CD) 

Here’s a suave Latin tune designed to feature your tenor sax and trombone soloists. A memorable melody is supported by sophisticated, yet accessible harmonic motives throughout. Authentic Latin devices are properly notated so that developing players can learn how the professionals internalize this engaging style of music. This tune features Kendor Konvertible instrumentation - meaning that it can be played by as few as 9 players. A guitar chord chart by Jim Greeson is included in each set. Duration 3:00. Grade Easy Style LATIN

A Latin/rock original by Mike Carubia, Arubian Island has a driving beat and a haunting melody. For the younger player, this chart will introduce simple Latin rhythms with straight eighth notes, give a full and powerful sound, and will require only modest brass ranges. Solos for trumpet, tenor sax, alto sax, guitar, trombone, and drums with written solos provided, and the comfortable groove will have all the feet tapping. Playable with reduced instrumentation of four saxes, three trumpets, and two trombones. Go to the island!

This song from the movie Casablanca is as contemporary as it is classic. John Denton, one of our newest arrangers, offers a fresh treatment of this wonderful melody, done in a slow swing style. From the first note you'll know it's a great chart and that John's scoring for the younger player is right on target. You will hear the big full-ensemble sound and still have all the flexible instrumentation options. Clear and accurate jazz articulation, logical and easy-to-play swing figures, a smooth modulation, and a written tenor solo make this one a textbook chart. This outstanding arrangement sounds great, and you'll enjoy teaching the basics of swing style to the band. Just do it!

Crazy title? It’s from the movie of the same name and is a tongue-in-cheek swing chart adapted from a much more difficult chart by Gordon Goodwin for the Big Phat Band. Arranged for the younger player, there are ensemble and some section solis but no improvised solos. A little challenging, but this will be a fun chart for any performance and will be a hit with both the band and audience. Duration: 3:35

This samba original is fused with a slight touch of funk, making it stylistically popular for developing bands. It features a catchy melody, interesting chord changes, solos for alto and trumpet, and an exciting shout chorus. Perfect for festival or concerts, this work makes novice jazz ensembles sound sophisticated. A guitar chord chart by Jim Greeson is included in each set. Duration 3:30 Grade Easy Style SAMBA

Bossa nova and funk! Both you and the band will dig this very hip and playable chart for the grade 2 level by our newest writer, Mike Kamuf. Mike starts off with an easy bossa groove featuring 2nd trumpet on the melody and written out solo. Next, Mike introduces a contrasting half time funk for the bridge section that really works great. Modest ranges, an optional solo for 1st tenor sax, auxiliary percussion with a neat triangle part and all the usual optional parts make for a neat package. Outstanding chart!

Here is an easy version of this Latin favoUrite arranged in a moderate bolero style. The trombones are featured on the opening theme and there is very skilled ensemble writing for young players throughout.

This chart serves equally well as a concert opener or closer, and will teach and/or reinforce basic swing rhythms every jazz musician should know. The easy-to-hear solo changes will give students the opportunity to work on improvisational skills. As with all First Edition charts, this piece can be played by 12-17 players. Duration 2:45. Grade Easy Style

This delightful old jazz standard is given a fresh new face by Calvin Custer. Calvin has provided younger and less experienced bands with the opportunity to perform a 'golden age' big band gem. The technical demands are limited, but this chart still really swings. The solid ensemble writing will give you a chance to teach balance and blend with your group. It's another winner from Calvin Custer! (2:47)

One of the many distinctive melodies composed by Vince Guaraldi for the Charlie Brown television specials is this medium swing blues tune. The saxes take the lead at the top, but the brass get their chance on the final shout chorus. The blues form makes this a great tune for any soloist, and there are easy sample solos provided for alto and trumpet.

Made famous by the Woody Herman Orchestra, this slow swing chart starts with the saxes on the melody with the brass in plungers (optional). The arrangement gains momentum steadily throughout and includes short solos for trumpet and alto. Bluesy and nice!

One of the all-time great tunes by jazz legend Thelonious Monk. This arrangement by Michael Sweeney is an authentic adaptation using the original key (Bb) and preserving Monk's unique rhythmic phrases. The chart opens with a trumpet/tenor duet, however there is plenty of tutti ensemble playing and flexible solo sections over blues changes. This one is a must.

One of Irving Berlin's most performed melodies, Blue Skies is arranged here in a medium swing style to sound great with inexperienced players

While Mike Tomaro is well known for his more challenging works,“Blues At The Gate proves that he is equally adept at writing easy level charts. This straight ahead blues consists of a strong melody and very solid ensemble writing. An open solo section provides any player with the chance to work on their solo chops. Duration ca. 4:30. Grade Easy Style SWING

An ideal Basie-style opener for your next concert or festival performance, “Blues For Three Brothers” features the 1st Alto and 1st Trombone players. All the elements are present for a swinging performance - a classic “2” feel in the opening moments, call and response, dramatic dynamic contrasts, and an exciting shout chorus. You won’t want to miss this accessible chart for developing groups! A guitar chord chart by Jim Greeson is included in each set. Duration 2:30.

There is no better style for young players to emulate than that of the Count Basie Orchestra. This famous swing tune is nicely arranged here by Mark Taylor in a very playable version that still sounds authentic. Dur: 2:35

Every band needs to experience the blues! Here's a classic riff tune by Clifford Brown set in a terrific arrangement for developing bands. Great for learning to improvise, and the ensemble figures are repetitive and easy to learn. (Includes CD) 

Style SWING Features
Despite the title, this piece is more blues-based than an actual blues chart. Scored especially for Kendor’s Jazz Gateway Series, it is perfect for developing groups. Dense ensemble writing and accessible rhythmic figures support the tuneful melody. All instruments have interesting parts to play, ranges are reasonable, and rhythm parts are notated with chords symbols provided. But that’s not all - the chart is playable by as few as 9 pieces and expandable to 17 pieces. Ad lib or as is solo space is provided for any instrument. A guitar chord chart by Jim Greeson is included in each set. Duration 3:00

A medium swing arrangement for the ‘bone section, this chart begins with unison trombones, then ‘bones in harmony followed by exchanges with the other sections to include a stop-time section. It’s easy to put together, has no individual solos, is effective to perform and a kick for your ‘bone section. Also includes all the usual optional parts. Duration: 3:38

An easy version of this classic from the swing era without sacrificing the sound and style of the original. The trumpet section is the primary featured section, however the saxes also get a crack at the melody and the trombones will really enjoy the “glissandi” in the shout chorus. This enjoyable chart is a guaranteed crowd-pleaser!

The title of this effective jazz chart for developing groups is derived from the early 1940’s when jazz players would use these and other similar syllables to sing the melodies of tunes. Solo sheets are provided for alto sax, tenor sax, baritone sax, trumpet, and trombone. A guitar chord chart by Jim Greeson is included in each set. Duration 3:15 without optional solos

This very accessible Latin chart is an original written in the bossa-nova style. It employs a tuneful melody supported by a sophisticated chord progression and solid orchestration. Scored with a thorough understanding of the capabilities of developing jazz musicians, this will make a great addition to any school jazz library! It contains great learning material and is fun to play. The piano part is fully notated with chord symbols provided and the guitar part consists primarily of chord changes and slashes. Trombone and alto saxophone are featured on written solos with chord changes also cued. This chart is playable by as few as 9 players and expandable to full big band instrumentation (17 players). A guitar chord chart by Jim Greeson is included in each set. Duration 3:25. Grade Easy Style BOSSA

This piece is an effective blues original designed especially for developing groups. Whether your ensemble has some experience, or is in the developmental stages, this chart is suitable for all performance situations, particularly festivals. Dense ensemble writing supports the tuneful melody and a fun sax soli is included. All instruments have interesting parts that are well articulated, the ranges are reasonable, and the rhythm parts are notated with chord symbols provided. Due to the accessible blues progression, the writer encourages everyone to get into the spotlight using the solo sheets provided. This tune features Kendor Konvertible instrumentation - meaning that it can be played by as few as 9 players. A guitar chord chart by Jim Greeson is included in each set. Duration 3:30.

Breaking News Blues' is ideal for developing jazz ensembles requiring accessible material that sounds sophisticated. Jazz writer Jon Phelps has penned a winner with as is or ad lib solos for trumpet and tenor saxophone. A tuneful melody, fun sax soli, and an exciting shout chorus makes this swing chart perfect for your next festival or concert program. A guitar chord chart by Jim Greeson is included in each set. Duration 4:45 Grade Easy Style SWING

“Burritos to Go” is an original Latin rock played at a medium tempo and includes written-out solos for alto sax and/or baritone sax. The lead trumpet plays to a written G above the staff. This chart is easy to assemble and makes for an exciting performance! Duration 2:37

Everyone will recognise this Duke Ellington classic. Using interesting textures and alternating between a Latin groove and swing, this is a very effective production number with limited technical demands.

An exciting samba groove composed and arranged by Victor Lopez. This chart is packed with montuno patterns for all sections, a very catch melody and trumpet 1 range is up to G on top of the staff. An interesting and fun Latin chart—and good choice for your library. Duration: 2:35

Light-hearted piece with syncopated rhythm. Style: calypso. Ranges: G5 trumpet, Eb4 trombone. Ad lib solos for all. Rhythm section parts notated with chords cued; guitar chord chart included. Playable by 9-17 pieces. Grade: easy.

An exciting up-tempo samba featuring a hot groove and solos for trumpet and alto sax.

Scored for jazz bands ranging in size from 9 to 17 players, this innovative Yasinitsky original showcases trombone soloist throughout. The prevailing ballad style switches to double time swing during the main solo chorus for a refreshing change of pace, and harmonies feature the chord extensions normally found in more advanced charts. Though he provides written solo lines to conform with the requirements of our Konvertibles series, in his score notes Greg urges directors to encourage young soloists to try improvisation. A guitar chord chart by Jim Greeson is also included with every set. Grade Easy Style BALLAD

If you’re in the market for a beautiful rock ballad featuring tenor saxophone, look no further. Answering the need for more tenor features for developing groups, the composer has penned a mysterious, lyrical melody with rich, satisfying harmonies. It’s a great performance piece that stresses the importance of intonation and blend from all players. This tune features Kendor Konvertible instrumentation - meaning that it can be played by as few as 9 players. A guitar chord chart by Jim Greeson is included in each set. Duration 4:20. Grade Easy Style ROCK BALLAD Features TENOR SAX

Victor Lopez, our resident Latin master, has transformed this simple Spanish song into a Latin-funk chart for the young player. The groove moves from mellow to funky and 1st trumpet range is to A above the staff. It includes no individual jazz solos but plenty of section and ensemble work. A catchy melody and fun chart that is easy to put together! Duration: 3:37

In the tradition of “Boogie Woogie Bugle Boy” and “Chattanooga Choo Choo,” here is one of the classic swing tunes from the '40s made famous by Louis Jordan. The saxes get a workout on the main theme, then the brass take the lead on the familiar chorus. This entertaining chart is as fun to play as it is to listen to.

Includes Full performance CD. Recorded by the group Styx in 1977, this chart opens in a rock ballad style featuring a solo alto sax. The mood then shifts to a driving rock pulse featuring the brass on the powerful strains of the chorus. Solid rock and roll for young players!.

A Gordon Goodwin chart for the young player! Arranger Ralph Ford has scored this Goodwin swing shuffle to make it accessible for the younger band. Challenges include the shuffle groove and accurate articulation. With no individual solos, a hot sax soli, and a lead trumpet range written G on top of the staff (optional A-flat) this tune is another highlight is the stop-time interlude. Outstanding chart! Duration: 4:04

This medium tempo swing tune is a great way to introduce your young players to jazz legend John Coltrane. The tune itself is easy to play and the solo section is easy to manage since it uses the blues progression. Full length recording included.

Everybody will recognise this Mancini gem. Mike Lewis treats the band right with this tasty, yet fun-to-play swinger, but throws some heat to the saxes with some fun solis and a clever modulation from E-flat to F. There are no improvised solos and the lead trumpet range is to a written G on top of the staff. Sounds great with reduced instrumentation and includes optional parts, too. Packed with all the swing figures and phrasing you need to teach your students how to swing. (3:05)

Style: medium swing. Ranges G5 trumpet, F4 trombone. Written or ad lib solo: trumpet. Rhythm section parts notated with chords cued; guitar chord chart included. Playable by 9-17 pieces. Grade: easy.

In this Ellington favorite, John Berry stays true to the original medium slow swing in a well crafted arrangement that is very playable by inexperienced bands. Alto sax is featured at the top and later the melody is passed off to the trumpet section. Also included are written or ad lib. solos for alto sax and trumpet.

Even though they call him Duke, Ellington is actually the King of Jazz! The year 1999 marks the 100th anniversary of his birth, and there's no better time to add this classic Ellington chart to the repertoire of your developing jazz ensemble. This is an exceptionally playable chart from Ralph Ford. Easy (2:44)

Try this bright Latin chart for developing groups featuring solos for piano, and the 'two cats' alluded to in the title – namely alto saxophone and trumpet. Even if you use the minimum instrumentation option (6 horns and 3 rhythm) the chart sounds full and satisfying. See why this great writer has been associated with musical greats Henry Mancini, Stan Kenton, and Pete Rugolo. A guitar chord chart by Jim Greeson is included in each set. Duration 2:55 Grade Easy Style LATIN

Style: BRIGHT SWING Ranges: G5 trumpet, F4 trombone

One of the most played of Sonny Rollins' many great tunes, Doxy is arranged here in a very playable version for inexperienced bands. What a great introduction to one of the true innovators of jazz. (Includes Full Performance CD)

Drummin' man - a swinger to feature what else…the drumset! Composed by drum legend Gene Krupa and arranged by drummer/educator Rich DeRosa, this is an outstanding chart with plenty of energy! Duration 2:27

Style LATIN (CALIENTE)
We welcome California jazz educator Mike Dana to the Kendor family of writers with this spirited Latin original for developing groups. Containing reasonable ranges and rhythmic figures, plus an exciting ending that will grab your audience, this will be a perfect closer! It offers room for two soloists who can really stretch out and explore the scales provided. This chart is playable with as few as 9 pieces and is expandable all the way to a 17-piece big band and beyond, since optional flute, clarinet, horn in f, tuba and vibes parts are also included! A guitar chord chart by Jim Greeson is included in each set. Duration ca. 4:15

Emily is a beautiful waltz-certainly one of the finest melodies of our time by composer Johnny Mandel. Arranger Lisa DeSpain delivers a fine chart that will help you teach phrasing, how to connect the phrases, phrase contour, use of slurs, and vibrato. The melody is stated by trombone and tenor sax, written or ad lib solos are for trombone and cued for trumpet. Range is modest and the rhythm section can focus on the 3/4 feel. You'll enjoy this one. (3:03)

Grade Easy Style FUNKY BLUES

Here is an easy yet authentic sounding version of this funk/rock classic from the group Earth, Wind & Fire! Paul Murtha uses moderate ranges in this playable setting as well as plenty of repetition to make the rhythmic challenges easier to learn. With every section given a chance at the melody and no solos required, this is a great choice for inexperienced players.

A solid swing tune featuring an open solo section, modest brass ranges, and lots of full-ensemble scoring. Playable by 12-17 pieces, each set comes with a sheet of written solo lines for all instrument types, giving directors the freedom to customize performances according to their particular group. In his score notes, Doug cautions that horns should strive for a well-balanced sound in all ensemble sections, resisting the temptation to overblow. Grade Easy Style SWING

Our resident Latin specialist has delivered another winner! For a change of pace, Victor Lopez has created a Spanish flavour chart using a recurring clave pattern of 2-3. Additional auxiliary percussionists may be added if desired. Modest brass range, clearly marked articulations and a written or ad-libbed tenor saxophone solo complete the package. The baritone sax player will be in saxophone heaven with this chart with the fun lines played with the bass. Incorporating a simple chord progression, this chart is ideal for young players. You can't go wrong with Fiesta Latina! (3:41)

Style Straight 8ths Grade Easy Range B5 Trumpet F4 Trombone

Finally available for younger bands, this easy medium swing chart is a must for teaching style to your players. Includes a short sax soli and solo for tenor sax.

Using elements from the original version of this jazz classic, Michael has created a very playable chart for young players. This modal jazz waltz is a perfect way to introduce the genius of Wayne Shorter.

Rock classic from 1973 and the Edgar Winter Group! Carefully adapted for younger groups with reasonable ranges and solid scoring, your players will have a blast with this one! Also includes written or ad lib. solos for alto and/or trumpet. Rock on! Dur: 2:30

This early jazz classic by Miles Davis is an excellent vehicle for introducing the blues. The trumpet soli section is derived from Miles' original solo and may be performed either as a solo or as a section feature.

Set in a moderate swing style, this solidly scored original by film composer Lennie Niehaus is a welcome addition to developing jazz ensemble literature. A strong introduction sets up the melody, which contains lots of variety and developmental material. Then a brief interlude announces the open solo section containing written and/or ad lib solos followed by a shout chorus before the D.S. al Coda. Scored with Kendor Konvertible instrumentation for 9-17 players, each set also includes a guitar chord chart by Jim Greeson and optional parts for flute, clarinet, horn in F, tuba, and vibes. Duration 5:40.

Recorded on Arturo Sandoval's award-winning CD “Hot House”, Peter Blair has adapted this Latin sizzler for young bands. It features a nice medium Latin feel with comfortable ranges.

A gorgeous alto sax ballad at the medium easy level, “Goodbye My Heart” will capture your heart and soul. A haunting lyrical melody, lush voicings and dynamic contrasts illustrate the sensitive writing at this grade level. This chart is a winner! Duration 3:54

Greased Lightnin' - always a favourite!

With a funky riff and strong backbeat, this chart is a groove to play. Victor Lopez wrote a repetitive two-measure break that is the focus of this chart along with solo space for alto sax, trumpet and trombone. Lead trumpet range is to written A-flat above the staff. Lots of unison and a building interlude will set this chart apart. Funky and fun. Duration: 3:51

This haunting ballad from the '40s received notoriety as the theme song for television's Mike Hammer. The saxophone section takes the spotlight here while the brass add background figures to spice things up. Also included is a solo or soli section for saxes. (Includes CD) 

Get on board the High School Musical phenomenon with this signature tune from the latest movie (and the first one to hit theaters). This hot arrangement for young players features a relentless pulse and driving energy throughout. (Includes CD)

Style MODERATE SWING
This well-scored swing original for developing groups is playable by as few as 9 players, and is expandable to 17-piece groups. Accessibility without compromise is the best way to describe this piece. A mix of unisons and orchestrated parts instills confidence, and solo space (as is or ab lib) is provided for any instrument. This chart is a “must have” for aspiring big bands. A guitar chord chart by Jim Greeson is included in each set. Duration 3:20 without additional solos.

Bluesy medium-tempo shuffle with an attitude! Written with wailing sax lines and solid brass punches, here's one chart that lives up to its title. Written or ad lib solos for trumpet and alto.

Sam & Dave were early pioneers of the “soul” sound, and this medium tempo rocker helped to put them on the map. Paul Murtha has skillfully adapted it for young bands with simplified but still very convincing rhythms. Includes solos for alto sax and trumpet.

Style: salsa. Ranges: G5 trumpet, F4 trombone. Written or ad lib solo: tenor. Rhythm section parts notated with chords cued; guitar chord chart included. Playable by 9-17 pieces. Grade: easy.

Here is a unique version of this all-time great tune done in a Latin style. This easy chart features creative harmonies and exceptional scoring. Short solos are included for tenor, trumpet and drums. A great showpiece for young groups.

Here's a fresh new treatment of this great classic from George Gershwin's Porgy and Bess. A newcomer to the Warner Bros. Publications family, Joe Jackson.does this one in a swing style with a few twists, both traditional and contemporary. The New Orleans-style street march starts things off for the trumpet section; then everybody has a piece of the action in this well-thought-out and creative arrangement. Joe keeps your band working with ensemble backgrounds while the alto and tenor saxes are busy with the written solos, and a terrific shout chorus rounds off this fine arrangement. Flexible instrumentation and reasonable ranges make this a great choice.

No one created more tuneful melodies than Duke Ellington, and this medium slow swinger is a classic! In this easy version, alternately featured is an alto sax solo, trumpet section, sax section and the full band. Also included are ad lib. or written solos for alto and trumpet as well as a solid tutti ensemble finish.

This funky Latin version of Railroad is both fresh and clever. Victor Lopez arranged this chart to include optional parts for flute, clarinet and violin, viola and cello—everybody plays in the jazz ensemble! Solos are written out for alto and tenor sax, trumpet and trombone and optional violin. Trumpet 1 range is to written top line F. Railroad is a hip, contemporary, and accessible chart. Duration: 3:37

If I Could Fly Away is a lush ballad for solo tenor saxophone. Composer/arranger Mike Smukal weaves and contrasts minor and major harmonies and has created a superb chart for the younger player with lead trumpet range only to top line written F. The tenor solo is all written out and the rhythm section parts are very clear. An excellent vehicle for a young tenor sax player! Duration: 3:55

The Wizard of Oz has given us many great melodies that lend themselves to the jazz style. With the sax section featured throughout, no individual solos and lots of ensemble work, this one is a textbook swing chart perfect for young musicians. Dotted-eighth rhythms work so well with this tune that it just about plays itself. Mike Lewis knows how to score an arrangement for young bands: easy to learn, great sounding and, most important, fun to play!

Celebrate the centennial of the Duke's birthday with this outstanding easy setting of one of his best-known ballads. Nicely scored for an effective performance by inexperienced bands.

This R&B hit recorded by Wilson Pickett in the '60s features a catchy groove in a medium rock tempo. Paul's solid arrangement will sound great with limited rehearsal time.

Wilson Pickett for your jazz ensemble? Absolutely! Victor Lopez does it best by taking a classic rock song and adapting it for the young jazz ensemble player. What a solid groove tempo for the band--they'll really dig into this chart, and you'll need only minimum prep time for a great performance. No individual solos--just ensemble throughout--reasonable ranges, and a really fun bass part. With the addition of the flexible instrumentation and the optional parts, IN THE MIDNIGHT HOUR just about plays itself!

Style: moderate swing. Ranges: G5 trumpet, E4 trombone. Features: Alto Sax. Rhythm section parts notated with chords cued; guitar chord chart included. Playable by 9-17 pieces. Grade: easy.

Nothing says good ol' rock and roll quite like Elvis Presley's version of this great tune. This chart is written with a strong shuffle groove and features the familiar stop-time opening followed by a swinging “chorus”. A solo section featuring Tenor and Trumpet and a shout chorus round it all out. Hot!

Creatively scored in a medium swing Basie style, here is a smooth sounding chart that will be easy to learn. With plenty of full ensemble scoring, this chart guarantees a full sound even with young players.

The title for this easy level chart comes from the idea that every good rehearsal is like a workout - that during a jazz rehearsal, the band room
becomes something of a jazz gymnasium. This straight ahead blues will provide young players with a good workout on some of the most important fundamentals of the swing style. The open solo section provides a good opportunity for students to get their feet wet in the improvisation area as solo sheets are provided for all instruments. Duration 3:02. Style Swing.

Where'd ya get those peepers? This chart has swing written all over it. With figures that are very easy to read and play, Victor Lopez's textbook swing chart is perfect for your young jazz players. You'll enjoy teaching the clear jazz articulation and the swing style, and your tenor sax soloist will have a ball with the written solo that trades off with the brass section. Easy brass ranges make this one a straightforward chart that will sound great without a lot of rehearsal. Excellent choice.

Jumpin' at the Woodside. One of Count Basie’s finest! Rich DeRosa keeps this one swinging all the way and included two optional tag endings to keep the Basie style intact. Solos are written out for piano, tenor sax, trumpet and trombone. Lead trumpet range is to written G on top of the staff with an A on the optional tag ending. It builds and builds! Duration: 4:13

Get your young jazz group really swinging this year with the great Count Basie standard JUMPIN' AT THE WOODSIDE. Paul Cook has masterfully arranged this terrific swing tune for young and less experienced musicians. Although ranges and rhythms have been successfully limited, this arrangement captures the vibrant feel of the original version as it was in the big band era. It's a nice setting of a true jazz classic. (2:48)

Swingin' in the popular swing band style, this original by Carl Strommen lets the young players cut their teeth on an easy straight-ahead swing. Jumpin' Jack Five provides solos for trumpet and tenor sax are written or ad-libbed. Ranges and rhythms are all well within the easy level. A super chart!

This is the funky chart you have been looking for -- a well-known soul melody with a great groove. The band will want to explore this chart as the bass player digs in and your alto sax soloist tears it up. A contagious Victor Lopez chart with lots of unison lines and a melody line that sticks in your mind. Keywords: soulful and contagious!

The ideal swingin' chart for the younger player arranged by Greg Yasinitsky. Greg has the knowledge, experience and reputation to deliver a first-rate arrangement that works! Easy to understand swing figures are all well marked and fall easily into place. The solos are written (or ad lib) on two basic chords for the piano and 2nd trumpet. This simplifies the improvised solos and allows the young players to successfully handle the art of improvisation. This is a very effective teaching tool. Brass range is modest and there is plenty of ensemble work to keep all the players happy. A great chart for every jazz library. (3:33)

This “old style” blues tune features a nice combination of horn riffs, bluesy melody, and a medium swing feel. An excellent chart to encourage your aspiring soloists, this will go together quickly and sound great. (Includes CD)

La Negra Tiene Tumbao is the Latin Grammy® winner in the Best Salsa category. Cuban-born Celia Cruz is known as the soulful Queen of Salsa throughout the world and the arranger, Victor Lopez, former lead trumpet player with the Miami Sound Machine, has performed many times with Celia. The repetitive rhythmic figures provide tremendous drive to this chart. Ranges are modest and the overall chart will take minimum rehearsal time. Optional auxiliary percussion plus all the usual additional parts make this a sure-fire hit with the band and the audience. It is hot!

A driving rhythm moves this original composition from Mike Carubia. Targeted to the young jazz band player, this title says it all--LATIN LESSON! With traditional straight eighth-note patterns into the Calypso-rock flavoured melody stated by the trumpets and tenor saxes, the keyword here is accessible. The catchy rhythm pattern will stay with your students as they enjoy this easy-to-learn chart, all the while learning essential Latin feel and articulations. Solo opportunities with well-designed written solos for your alto sax and trumpet and an optional solo space for guitar is provided if desired. As always, Warner Bros. Publications gives you flexible instrumentation. Great choice!

Recommended! This great tune by legendary saxophonist Lester Young is a simple and familiar melody that lends itself to many well known jazz quotes and licks. A tenor sax solo is written out and the lead trumpet range is written to G on top of the staff. Arranger Rich Sigler incorporates some clever musical devices to create an interesting yet accessible chart. Duration: 3:58

Roger has taken this rock classic by The Doors and created a very playable and solid sounding arrangement for young players. Included is a solo for alto, tenor or trumpet and the modal harmonies make this a great tool for improvising.

Livin' Large. The infectious New Orleans 2nd line street beat will surely capture your audience’s attention when this fun, happy original for developing groups is performed at concerts and festivals. Solid ensemble writing supports the catchy melody, and accessible solo changes will encourage your soloists to improvise. A guitar chord chart by Jim Greeson is included in each set. Duration 3:25. Grade Easy Style NEW ORLEANS STREET BEAT

Written in a traditional Basie-style swing, Roger has done a nice job of turning this familiar standard into a solid swinging chart for young players. Includes brief solos for piano and tenor sax and plenty of tutti ensemble scoring

This hypnotic medium rock tune was a hit for the group War back in the '70s. Roger's effective adaptation for jazz ensemble is perfect for something a little different at your next concert. Includes written or ad lib solos for Tenor, Trumpet, or Alto.

Fresh from arranger/composer Ralph Ford, here is a rock blues with a Billy Joel-type rhythm section groove. The band has some funk rhythms along with alto sax, trumpet, and guitar solos that are written or ad lib. Accessible ranges and a catchy melody make this one a hit. (3:58)

Broadway has arrived! The hit show Mamma Mia features the music of the rock group ABBA. Arranger Roy Phillippe has put together a great chart for jazz ensemble to showcase the popular songs S.O.S, Mamma Mia, and Dancing Queen. High-energy melodies and syncopation along with swing, rock and disco styles all work together to make an entertaining and fun-to-play arrangement for the young jazz ensemble. It's HOT!

Style: bossa nova. Ranges: Eb5 trumpet, Eb4 trombone. Written or ad lib solo: tenor. Rhythm section parts notated with chords cued; guitar chord chart included. Playable by 9-17 pieces. Grade: easy.

One of the classic examples of the Afro-Cuban style in jazz, “Manteca” endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexities of the tune while still maintaining the rhythmic drive and energetic style of the original. (Includes CD)

From the master of soul comes this catchy blues tune from the movie Ray. A distinctive feature is the alternating style between rhumba and straight ahead swing, and Michael Sweeney's skillful arrangement makes it a perfect fit for younger players.

Creatively arranged in a medium swing big band style, this Donovan hit from the 60's works great for young players. There is plenty of solid scoring for the ensemble in addition to solos for trumpet, tenor sax, and piano

This is a beautiful melody and arrangement by Mike Smukal. It begins with a four-bar chorale intro, then moves into an easy bossa-feel, with the melody played by 1st alto sax and 2nd trumpet and a written-out solo later on for the alto. A shimmering ensemble section, lush harmonies and lead trumpet range to written G on top of the staff are but a few highlights of this fine chart. Duration: 4:04

Here's a great blues chart written in a medium swing style perfect for inexperienced players. Includes sample written solos for trumpet and alto in addition to a short sax solo and solid ensemble writing. A guaranteed winner!

The Mancini legacy lives on with this wonderful chart for your young jazz band. Mike Lewis has masterfully arranged Mr. Lucky with no individual solos, just swinging ensemble. You can teach your students the brilliant melodies of one of America's finest composers while featuring the trombones and tenor saxes. The accessible brass ranges are trumpet to G and trombone to F. Mancini's superb melodies are world renowned and distinctly American.

This chart has a easy-going funky groove with a straight eighth feel. Writer Mike Smukal included a written out tenor solo and 1st trumpet range to to written G. It’s catchy, well-written and fun to play. Duration: 3:06

Jazz pianist Errol Garner wrote this classic ballad. Everyone will recognise this unforgettable melody as you show off your lead alto sax and first trumpet in the solo spotlight. Designed for younger groups, this chart has easy ranges and rhythms, but a powerful ensemble sound makes the big band sound come alive. Mike Lewis's fine arrangement is the perfect way to expose your young players to phrasing, style and a timeless jazz standard. Works with reduced instrumentation and optional parts.

Straight from the hot new group, Youngblood Brass Band, this is one cool tune. If you haven't heard this band, check them out. It's sort of a mix of a Dirty Dozen style New Orleans rhythm groove, and a soaring horn section with an urban attitude. Victor Lopez arranged this chart showcase mostly for the ensemble but included written out solos for alto and tenor sax. Lead trumpet goes to written A above the staff. (3:32)

Style HALF-TIME FUNK FEEL
This chart is a happy, fun tune with a funky, infectious groove featuring Kendor Konvertible instrumentation - meaning that it is playable by as few as 9 pieces and expandable to 17. Accessible, easy to read rhythms, will help developing bands grasp the half-time funk feel. The suggested solos are offered as a guide, but players will have much more fun negotiating the changes with dominant scale or blues scale-based solos. Optional parts are provided for flute, clarinet, horn in f, tuba, and vibes. A guitar chord chart by Jim Greeson is included in each set. Add this to your library today - you, your band, and your audiences will be glad you did! Duration 3:00.

*NSYNC and Gloria Estefan teamed up to record this song from the movie Music of the Heart. Arranger Mike Lewis captures this great pop hit by scoring it for the younger jazz ensemble player, keeping the beautiful melody and harmonies yet making the rhythms easily playable by young students. Modest brass ranges with trumpet and trombone to D, an alto sax solo, and a big modulation make this one an outstanding pop chart. This could be your showstopper since everyone in the band and the audience will recognise the song. You can easily teach the pop rhythms, and with flexible instrumentation and optional parts, this chart will sound full even with a minimum number of players.

Treated here as a jazz waltz, this popular tune from The Sound of Music features a relaxed and easy-flowing swing style. The melody is passed from section to section, and there are short solos for trumpet and tenor.

A trumpet ballad feature with a double-time section with everything written out, easy ranges, some nice substitute chords and lush harmonies, and it’s easy to put together. Duration: 3:49

Includes Full performance CD. Unusual and distinctive harmonies and a contemporary rock groove combine in this effective and creative original. A brief muted trumpet solo is featured over “mysterious” sounding chords, and later solos for alto and/or trombone are featured. If you are looking for something that has a great groove but is a little out of the box, this one is definitely for you.

This irresistible Latin rock original has a happy attitude that’s sure to catch the ears of developing jazz stars. The trumpet section is featured, and solos are provided for trumpet and tenor saxophone. Though written solos are offered, you should encourage your soloists to improvise since just one scale can be used to negotiate each solo. This chart is playable with as few as 9 pieces and is expandable all the way to a 17-piece big band and beyond (optional flute, clarinet, horn in F, tuba and vibes parts are also included). A guitar chord chart by Jim Greeson is included in each set. Duration 4:15.

Without losing the essence of this Dizzy Gillespie masterpiece, Mike has crafted a marvelous chart for young players using safe ranges and moderate rhythms. You'll still find the trademark alternating from Latin to swing, as well as written or ad lib. solos for alto and trumpet.

Now What is a swing tune, written in the style of Miles Davis’ “So What.” It provides a great opportunity to learn, play, listen, and solo in a simple two-chord modal style. Written solos for trumpet and alto sax are included, but everybody can solo in this superb chart. Outstanding! Duration 4:01

Charlie Parker helped define the language of modern jazz. This marvelous arrangement of one of his most accessible compositions provides a perfect introduction to this legendary jazz master. Solid and swingin'!

One of America's greatest songwriters is George Gershwin. Check out how arranger Ralph Ford works his own magic on Oh, Lady Be Good. Swinging from top to bottom, this work provides the young jazz player the tools necessary to succeed: clearly written articulation, accessible ranges, written out solos, and loads of fun. Optional parts are for flute, horn, baritone horn, and tuba. Give a listen!

One of the best known Latin tunes around. Jerry Nowak's arrangement features nice section writing and short solos for Drums. The bridge is handled nicely using the sax section trading off with the brass.

This even eighth note ballad from the pen of Mike Tomaro will provide a perfect change of pace on any program. The title captures perfectly the open, airy musical feel of this beautiful chart. Sensible ranges and creative scoring makes this chart accessible to easy level groups. This chart can be played by as few as 12 players. Duration ca. 4:30. Grade Easy   Style STRAIGHT 8TH BALLAD

This is one of the trademark tunes from the Stan Kenton Orchestra. Starting with the saxes playing the first statement of the theme, the arrangement builds up intensity with each repeat as layers of sound are added in true Kenton fashion. Skillfully arranged for young players.

Grade Easy Style BRITE JAZZ

For a soothing change of pace bossa nova for the middle of your program, this original is a wise choice for developing groups. Programmed right after an up tempo swing chart or an energetic funk tune, this light and airy original will project a sophisticated straight eighth-note feel with its subtle harmonic shadings and delicate counterpoint. This is a great exercise in restraint for the band that is guaranteed to please audiences. A guitar chord chart by Jim Greeson is included in each set. Duration 3:45. Grade Easy Style BOSSA NOVA

This Victor Lopez original is exciting and challenging, yet playable…and fun to play. Victor put those ingredients together and cooked them at grade 2. You may even hear a musical quote from a well-known Latin hit from the past. Contrasting ensemble sections, no improvised solos, and a hot line for baritone sax are but a few of the distinctive elements that allow the Latin experience to come to life. First trumpet range up to written G above the staff. Check this one out!

Style: salsa. Ranges: G5 trumpet, Eb4 trombone. Written or ad lib solos: trumpet, trombone. Rhythm section parts notated with chords cued; guitar chord chart included. Playable by 9-17 pieces. Grade: easy.

The newest edition to the ever popular Chili Pepper series finds the Pepper visiting some familiar musical territory. The “Chili Pepper” Latin style has been expertly added to the traditional children’s tune “Pop Goes The Weasel” to create an easy level chart that is fun to play, and a great addition to the series. Duration 2:46. Grade Easy Style LATIN

This is a sure winner for your next concert! Designed to feature the piano in a familiar gospel-flavoured role, this original for developing groups has been skillfully orchestrated so as to support, but never eclipse, the sound of the piano. The majority of the piano part is notated to assist developing pianists. The repetitive groove will keep everybody's toes tapping as your pianist is placed in the spotlight. A guitar chord chart by Jim Greeson is included in each set. Duration 5:25

Here is a classic mambo from Latin master Tito Puente. Rick Stitzel's easy version is authentic sounding and includes solid full band writing and solos for tenor and/or trumpet. The rhythm section parts are carefully notated including the piano montuno. Marvellous Latin sounds for younger players!

A medium-tempo minor blues composed and arranged by Mike Kamuf. Written out solos for tenor sax and trumpet, lead trumpet highest note is written G on top of the staff. A well written chart that will do your band proud. You’ll like it. Duration: 3:29

Even without Aretha Franklin, your young jazz ensemble can sound great on this classic rhythm & blues tune. Even at this easy level, the sound is still authentic and includes solid scoring throughout. Includes a brief solo for alto.

As the title suggests, this one has two styles, funky and Latin. The “Rice” has a funky blues-based melody, and the “Beans” is a Latin groove. Victor Lopez arranged this chart to include optional parts for flute, clarinet and violin, viola and cello—everybody plays in the jazz ensemble! Trumpet 1 range is to written A. Rice and Beans is a fun and flexible chart. Don’t forget the string parts. Duration: 4:20

Includes Full performance CD. The bass line riff and smooth rock style combine to make this Steely Dan classic from 1974 instantly recognizable. Here is a very effective, easy arrangement that features tight ensemble harmonies and a great groove.

Here is one of John Mellencamp's biggest hits in a solid chart from Paul Murtha. This is energetic rock and roll at its best!

Style SHUFFLE
Playable by as few as 9 pieces, and expandable to 17 pieces, this terrific chart features a crowd-pleasing shuffle groove. Developing jazz musicians will experience contrasting dynamics and solid scoring techniques that will make them sound their best. The “horns-alone” ensemble statement makes for an interesting moment in this original work that places your 1st Trombonist in the solo role before yielding to a rousing shout chorus. Optional parts are provided for flute, clarinet, horn in f, tuba, and vibes. A guitar chord chart by Jim Greeson is included in each set. Add this to your library today - you, your band, and your audiences will be glad you did! Duration 3:45

You’ll definitely want to add this terrific Latin chart to your library for developing groups. The hard-driving groove will energize your band as it navigates through smooth melodies and a catchy ostinato pattern played by the rhythm section. Trumpet and alto saxophone are the designated soloists before the chart yields to an exciting shout section featuring both block voicings and contrapuntal answering effects. Scored with Kendor Konvertible instrumentation for 9-17 players, each set also includes a guitar chord chart by Jim Greeson and optional parts for flute, clarinet, horn in F, tuba, and vibes. Duration 3:00.

Includes Full performance CD. For decades this familiar standard has been a favorite with jazz artists. Most recently featured in the blockbuster movie “Cars” it will certainly enjoy renewed popularity with a new generation. This arrangement for young players is easy to learn and is a solid swinger from beginning to end.

It’s funky! In “Rubberband Man,” arranger Victor Lopez brings the rock groove together. Solo space is provided with written-out solos for alto and tenor sax, trumpet, and trombone. There are some syncopated rhythms, but repetition will clarify. The 1st trumpet range is to written G. Hot chart! duration 4:14

A contemporary treatment of this traditional jazz tune, arranger and band director Mike Kamuf combines multiple generations in one chart. With a shuffle groove, the opening melody is stated by alto, tenor, trumpet and optional guitar in fourths. Some countermelody development, solo space (written) for tenor and trumpet, then an interlude that builds big time into a powerful shout chorus to bring it home. Duration: 4:04

Down-home and bluesy, slow and greasy! This outstanding chart blends a New Orleans-style slow swing and contemporary harmonies. The best of both worlds comes alive within the creative mind of arranger Tom Davis. Your young band students will love this arrangement so much that they won't want to stop playing. Lots of unison, easy brass range (trumpet to F and trombone to E-flat), alto and tenor sax written solos with band backgrounds, and simple rhythms will all give you a quality musical product with minimum rehearsal time. Very effective chart!

Style CALYPSO
Here’s an accessible original utilizing a variety of common calypso rhythmic figures. It includes a tuneful melody and is playable by as few as 9 players and expandable to full big band instrumentation. This chart, designed to make developing groups sound their best, includes thoughtfully prepared rhythm parts to ensure stylistic authenticity. Solo sheets are included for C, Bb, Eb, and Bass Clef instruments, and optional parts are provided for flute, clarinet, horn in f, tuba, and vibes. A guitar chord chart by Jim Greeson is included in each set. Duration 3:30

Grade Easy Style BALLAD

Here is an easy version of one of the most recognizable TV themes ever written. Solid scoring, funky riffs and a catchy melody make this one a guaranteed winner. (Includes CD)

This beautiful bossa-ballad has a heartfelt melody and rich harmonies, while still being geared to the capabilities of developing jazz ensembles. The expressive trumpet or flugelhorn feature is dedicated to trumpeter/composer Jeff Jarvis. There are written solos in the solo sections to be used as guides, but directors should encourage their aspiring soloists to improvise over the accessible chord changes. This chart features Kendor Konvertible instrumentation - meaning that it can be played by as few as 9 players. A guitar chord chart by Jim Greeson is included in each set. Duration 3:50. Grade Easy Style BOSSA BALLAD

Sax to the Max' is a medium swing showcase for the sax section. This Mike Lewis original is tasty, smooth, and lyrical, and will sound full even if performed with only four saxophone players (optional bari). There are no individual solos but plenty of soli sections. Optional parts are included. Duration 3:10

Composer Rick Stitzel brings us this wonderful easy samba that features smooth lines and nice harmonies. The brass and sax sections answer each other in an effective dialogue and there is solo space for any saxophone.

Here is a classic that is already considered a standard from the next generation of American composers. Johnny Mandel wrote this gorgeous melody that is hauntingly beautiful, and Roy Phillippe arranged it for the younger band to feature the piano, alto sax, and trumpet. Flexible instrumentation and optional parts are included, along with some rich section harmonies, trumpets in harmon mute for musical colour, and a powerful ensemble sound that will make your band sound terrific. Roy Phillippe is a superb writer who delivers the right stuff. You'll enjoy this fine chart.

This rock and roll classic has never sounded hipper! Check this out, this chart also features a bass solo! Arranger Mike Lewis has worked a miracle with this blues based rock tune as the clever intro sets up the simple blues chord progression. The bass player will dig in with the walkin' bass solo and the drummer has some space, too. Don't forget, this arrangement sounds great with reduced instrumentation. A very cool chart! (3:43)

Based on Rimsky-Korsakov’s The Young Prince and the Princess, Mike Smukal’s chart on Sheherajazz moves from a light rock introduction to an easy Latin samba groove and then into a swing feel. There are no individual solos, but plenty of ensemble, a modulation into a big shout chorus and the 1st trumpet range is to written G on top of the staff. Fun, interesting and a crowd pleaser! Duration: 3:12

There aren't that many jazz standards written in a rock style, and this is one of the absolute best! Now available for younger bands with this great new chart by Paul Murtha. Full length recording included.

Here's a super swing chart for the younger player from arranger John Denton. From the MGM movie of the same name, this melody is well known to all ages. John has included a tenor solo with written solo provided and carefully kept the brass ranges and tempo quite reasonable keeping this chart accessible to this level. You'll really like the simple but clever harmonic twist and modulation that John included, and the swing figures are all logical and easy to teach. Singing in the Rain will make you happy again!

John Berry has created a very effective arrangement of this easy-going rock classic by Otis Redding. It will be easy for your band to sound great with this well-written and solidly scored chart.

This bluesy chart swings hard from the opening strains all the way to the final chorus. Rick Stitzel's creative take is built on a medium swing foundation, and the blues changes make this comfortable and fun for beginning soloists.

Santana has done a great deal lately to boost the popularity of Latin styles in pop music. This is his big hit arranged by John Berry so even inexperienced bands can have fun with it.

Style: rock ballad. Ranges: G5 trumpet, Eb4 trombone. Written or ad lib solos for all. Rhythm section parts notated with chords cued; guitar chord chart included. Playable by 9-17 pieces. Grade: easy.

A medium Latin rock groove is featured in this familiar tune originally recorded by Sade. The solo section features easy changes (2 chords) and sample written solos for every instrument. Also included is an optional 8-bar written bass solo.

Continuing with his great contributions to literature for developing jazz groups, Les Sabina brings us this catchy samba designed to give students a firm grasp of the exciting music of Brazil. The smooth melodic writing is within the concept of the Latin groove, and players are required to strive for balance and momentum. An ad-lib or as-is solo section is provided for tenor saxophone, and powerful unison lines come together for an energetic shout chorus. This chart features Kendor Konvertible Instrumentation, meaning that it can be played by as few as 9 players. A guitar chord chart by Jim Greeson is included in each set. Duration 2:40. Grade Easy

Smooth piano feature. Style: rock ballad. Ranges F5 trumpet, E4 trombone. Written or ad lib solos for all. Rhythm section parts notated with chords cued; Playable by12-17 pieces. Grade: easy.

Style: ballad. Ranges: Ab5 Trumpet; Eb4 Trombone. Written or ad lib solo: Alto. Rhythm Section partially noted chords cued. Playable by 9-17 pieces. Guitar chord chart included. Grade: Easy

This chart swings! A fabulous arrangement of this traditional Russian folk song by arranger Mike Smukal that is very playable with no individual solos, just ensemble galore. First trumpet only goes up to written F on the top line. All the sections have some good lines plus the optional parts make this one even better. Recommended!

This rhythm and blues classic was “rediscovered” by the Blues Brothers and quickly became one of their signature tunes. Featuring the trademark trumpet melody riff, this is also a great solo number for alto and trumpet with easy its chord changes.

Includes Full performance CD. Originally recorded by Sam & Dave in 1967, then later revived by the Blues Brothers, this tune helped define rhythm & blues. Paul Murtha's easy chart will sound great with any band and requires only limited rehearsal time.

The Sam and Dave/Blues Brothers R & B standard is perfect for jazz ensemble! Big brass sounds and saxophone hits accent this great chart from Roy Phillippe. Duration: 2:20

Here is a wonderful chart by Rich Sigler on a great tune by Paul Simon. A chorale intro transititions into a shuffle swing groove with written solos for alto and trumpet. Easy ranges for the brass, too. A nice development section that builds into a power shout chorus. Creative and accessible. Duration: 4:47

Here is an accessible original utilising a variety of rhythmic figures commonly used in rock and funk charts. This chart employs a tuneful melody and is playable by as few as 9 players and expandable to full big band instrumentation (17 players). Designed to make developing groups sound their best, the piece derives its title from the 'stop and go' feeling in the rhythm section parts. Although loaded with great learning material, the piece is simply fun to play and will leave bands and audiences whistling the melody. A guitar chord chart by Jim Greeson is included in each set. Duration 3:30. Grade Easy Style ROCK

This beautiful pop ballad from the early 60's was recently recorded by Kenny G on his newest CD. This easy arrangement from Peter Blair features an alto sax soloist throughout. A terrific setting and all of the solo lines are completely written out.

Includes sound sheet

A feature for the sax section, Stro’s Place is a medium swinger with written-out solos for tenor and/or trumpet. A nice stop-time ensemble, so everyone gets to shine. An effective chart composed and arranged by Carl Strommen. Duration: 3:56

Paul Baker composed and arranged this medium swing chart as a tribute to the great Sammy Nestico. It has a written solo for 2nd trumpet (cued for 1st), a sax section soli, a piano solo, a brief shout chorus and superb writing throughout. Duration: 2:35

Monk's famous swing standard is arranged here with careful scoring and characteristic background figures. The underlying blues form helps make this attainable for young players and easy for beginning improvisers to handle. (Includes Full Performance CD)

Style STRAIGHT-AHEAD SWING
This engaging, straight-ahead swinger for developing groups is dedicated to two tenor saxophone giants: Stanley Turrentine, whose biggest hit was Sugar, and John Coltrane, affectionately known as “Trane.” Perfect as on opener, this chart contains flexible instrumentation to accommodate any young group - it is playable by as few as 9 pieces and is expandable all the way to a 17-piece big band and beyond, since optional flute, clarinet, horn in f, tuba, and vibes parts are also included! A guitar chord chart by Jim Greeson is included in each set. Duration ca. 3:10.

This is a fabulous arrangement of the classic Gershwin ballad. The technical demands are limited, but the musical content is superior from start to finish. This is one of the freshest new jazz charts to come along in years, perfect for performance by any level band. Duration: 4:05

This engaging fast swing chart has a bouncy saxophone melody that is then passed on to the trumpet section. It calls for “attitude” when playing the melody and lots of punch from the supporting parts in the ensemble. Your drummer will love the two solo spots, and as-is or ad-lib solo space is also provided for trumpet. This is truly an accessible chart for developing groups that registers high on the excitement meter! This tune features Kendor Konvertible instrumentation - meaning that it can be played by as few as 9 players. A guitar chord chart by Jim Greeson is included in each set. Duration 2:25. Grade Easy Style FAST SWING

Build confidence in your band with this revered melody as your players sharpen their skills playing jazz articulations and figures. With a swing feel all the way, Mike goes for all ensemble: no individual solos but lots of trading back and forth between soli sections. The rhythm section will easily handle the swing tempo, and your drummer will enjoy all the set-ups and fills. (3:50)

Swingin' Shanty. Based on the traditional song “What Do You Do With A Drunken Sailor,?” arranger Ralph Ford makes this one swing all the way. In 'Swinging Shanty,' written solos are provided for alto sax and trumpet. There is also a drumset solo reminiscent of “Sing, Sing, Sing” just before the powerhouse shout chorus! Duration 3:38

Start your band off swinging with this Gershwin standard arranged by Ralph Ford. The trombones start things off, add the brass section, then add a sax soli. Hold on, there's more; into a tutti for the ensemble followed by written or ad-lib alto sax, trumpet and piano solos. Can you identify the clever quote? The shout chorus brings it all home. Superb writing throughout. (3:26)

It's true, it Tastes Like Chicken! A slow gospel-style introduction leads into an extra crispy groove that will have the band coming back again and again. The melody is catchy, the groove is funky, the rhythms are simple and solos (written or ad-lib) are for tenor and alto saxophones. Trumpet range to written G. This is a fun and exciting contemporary chart that is accessible for the young player. Guaranteed to deliver in four minutes! (3:44)

Even though the title implies “tenor feature,” this excellent chart for young players features the entire sax section in the beginning, along with background “stabs” in the brass. There is also a nice sax soli section and solos for trumpet and alto sax.

Grade Easy Style BALLAD

Arranged by Lisa DeSpain as a tasty swing chart featuring a piano solo and a 1st trumpet solo. A few drum fills and the lead trumpet range is to written G on top of the staff. Lisa is a superb arranger and this chart is no exception. Duration: 3:45

Contrasting dynamics and solid ensemble writing are also hallmarks of this hard-swinging shuffle original for developing groups. Scored with Kendor Konvertible instrumentation for 9-17 players, each set also includes a guitar chord chart by Jim Greeson and optional parts for flute, clarinet, horn in F, tuba, and vibes. Duration 4:30

This often-recorded standard from the '40s features a distinctive melody and jazz-based harmonies. Michael's skillfully designed arrangement works through a couple of key changes, and includes a sax soli and flexible solos, all at an easy level. (Includes full performance CD)

This beautiful piano feature for developing groups offers a fully notated part for the soloist along with a big band accompaniment that perfectly complements the gentle melodies. Programming this ballad will add an ideal change of pace to any concert or festival program. Most importantly, this feature will work great whether you have a skilled jazz pianist or a soloist who's more of a classical player. A guitar chord chart by Jim Greeson is included in each set. Duration 2:30. Grade Easy Style BALLAD Features Piano

A tribute to the great John Coltane, a jazz legend! Composer/arranger Mike Lewis has crafted an accessible young band medium swing chart based on the characteristic Coltrane chord progression of ascending minor thirds. The chart is targeted to younger players with a written-out trumpet solo and plenty of unisons throughout. Rhythm section parts are clearly notated. Lead trumpet range is to written G on top of the staff. Duration: 2:57

Here's the early classic by the rock group Chicago. The trademark bass line and driving melody will make this a sure hit with your students.

The band and the audience will enjoy this TV theme song. With a lilting tempo, written solos for alto and tenor sax, trumpet and trombone, along with easy ranges, this chart will come alive real fast. Duration 3:49

This funk/Latin standard composed by Kenny Dorham is the style of jazz that younger players love to sink their teeth into. Expertly adapted for this easy level by Paul Murtha with solid scoring and a flexible solo section.

Over the years this classic standard from the '30s has been recorded by countless jazz artists and big bands. Here in the hands of Michael Sweeney is a medium swing chart designed for young players that features a nice mix of feature spots for saxes as well as brass. Includes short written or ad lib solos for alto sax and trumpet. (Includes CD)

This easy level Latin chart combines a strong melody, solid ensemble work and an open solo section to create a wonderful teaching vehicle for developing players. The infectious Latin groove will make this one a favorite of bands and audiences alike. Duration 3:26. Grade Easy Style LATIN