Best Sellers  Up a Level         

Arranged here in a Basie-style slow swing setting, this well-crafted chart starts out as a study in ensemble writing with the brass in buckets and the drums on brushes. Later there is a solo for trumpet followed by a shout chorus where the full band really lets loose.

Featured in the sensational motion picture Ray, this hot big band chart is typical of the gospel-flavored swing style made famous by Ray Charles. John's authentic sounding adaptation has all the ensemble excitement of the original, plus solo space for tenor and/or piano.

From the movie musical that rocked the entertainment world, here is an exciting medley that includes the show stoppers “And All That Jazz,” “Cell Block Tango,” and “Roxie.” Great entertainment with a tip of the hat to the styles of early jazz.

From the brash, slightly irreverent, and wildly popular TV series “Family Guy,” here is the supercharged big band style theme adapted by Roger Holmes. The style is medium swing and it features an alto solo along with screaming ensemble hits.

This standard from the 40's has been recorded countless times in recent years and remains a staple in jazz libraries everywhere. Mike Tomaro's creative version shines new and invigorating light on this classic with a contemporary shuffle groove and fresh harmonies. Includes solos for alto and piano.

This invigorating chart stays true to the classic sound of its creator Stevie Wonder. It features a medium slow groove and a flexible solo section. Guaranteed fun.

Inspired by the famous arrangement that Quincy Jones penned for Ray Charles, here is an impressive offering that pays tribute to Ray's genius for style and showmanship. This is hard-hitting big band writing at its best!

John Berry has taken this Cole Porter favourite and converted it into a real powerhouse chart for big band. Not just a re-hash of the version recorded by Buddy Rich, this exciting treatment alternates between Latin and swing styles, and features crisp ensemble writing throughout. Included is a solo for trumpet and a swingin' soli for the saxes.

Who would have thought to transform this Stevie Wonder hit into a swinging jazz waltz? That's exactly what master arranger Mark Taylor has come up with as he uses this creative setting to feature an alto sax soloist and inventive ensemble lines.

Composed by Latin master Tito Puente and made famous by Santana, this is one of the most popular Latin tunes ever written. Here's an oustanding arrangement for jazz ensemble featuring sizzling ensemble writing and solo space for trombone, tenor and trumpet. All Latin percussion parts are carefully notated for an authentic sound.

This is the unmistakable number 1 hit from the 70's group Average White Band! Mark's ultra-funky and ultra-cool chart written in classic “horn band” style showcases the familiar licks and hot rhythmic groove. Great chart for letting your soloists really open up!

From the master of Latin music, this is one of Jobim's best. Mark's excellent treatment features tenor sax and nice ensemble writing.

Originally a hit for DeBarge in 1985 and more recently revived for the hit movie Moulin Rouge, here is a hot chart for your entire ensemble. This one really burns with Latin excitement.

Originally recorded by Sam and Dave, and made popular by The Blues Brothers, this well-known rhythm and blues workhorse is a natural for jazz ensemble. In the skilled hands of Roger Holmes, this one flows nicely but rocks hard!

Paul Jennings' masterful arrangement from 1982 sounds as fresh today as it did 20 years ago. The authentic sounds of Chick Corea's classic are faithfully captured and this new edition is notated in cut time (rather than 4/4) to make it much easier to read. A real gem for every jazz ensemble.

Made famous by Nat King Cole, and recorded by countless jazz artists, this catchy swing favorite features a nice medium groove and impeccable scoring in the skilled hands of Stephen Bulla.

Mike Tomaro takes this funk classic by Stevie Wonder through a series of new twists and turns, but he is careful to preserve the great groove and signature horns riffs from the original. Featured are solos for alto and trumpet.

Recorded by Michael Jackson back in the 1980s, this highly infectious tune has one of pop music's funkiest bass lines plus an all-around great groove. In the hands of Roger Holmes this one is sure to add punch to your next concert.

Although bebop master Charlie Parker is known for his blazing improvisations and advanced melodies, this is one of his most approachable and melodic compositions. Lending itself perfectly to a big band setting, and in the hands of Mark Taylor, this swingin' tune becomes an impressive-sounding chart for jazz ensemble.