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Written in a fast 3/4, this gospel-inspired burner is as fun to play as it is to listen to. There is great interplay between sections of the band as layers of sound move in and out. Also included are hand claps and some “play any note you want” opportunities to really liven things up. The flexible solo section allows you to customize this to fit the strengths of your own band.

Whoa! A super high-energy Latin samba arranged by Eric Richards that is the perfect opener or closer for any performance. Solo opportunity for tenor sax, bari sax, 2nd trombone and drums. This is a powerhouse chart!

Kenny Dorham's relaxed Latin classic is a must for all jazz programs. Mark has retained elements of the original version using a small group (alto, tenor, trumpet and trombone) on the opening statement, then the saxes playing the important secondary theme. Included after the flexible solo section is a sax soli, ensemble shout, and stop-time section featuring the drums. This chart is destined to become a classic in itself.

This rousing production number features some of the best-known tunes made famous by the Blues Brothers. A great way to provide something a little different and entertaining at your next jazz concert, this medley includes: Everybody Needs Somebody to Love, Soul Man, Soul Finger and I Can’t Turn You Loose.

Those who have experienced the lush, well-constructed writing style of Denver-based pianist/composer Dave Hanson need to read no further since you’re already familiar with the consistently high quality of his work. This beautiful mood piece for solo flugelhorn and big band is no exception. Alternating between a straight-eighth note “ECM” feel and a driving Latin groove, this original for proficient groups has the soloist weaving in and out of the arrangement with plenty of soloing opportunity over Latin vamps and modal colors. You won’t want to miss this one! Duration 5:40 Grade Advanced Style EVEN EIGHTHS Features FLUGELHORN

Here is an excitingly different take on this Ellington swing classic done in a mambo style! Including a slightly twisted melody to fit the style, Latin master Michael Philip Mossman cleverly adds counterlines, a montuno section, solos for alto and trumpet, and a vamp that starts soft then gains momentum. We think even the Duke would have liked this distinctive chart!

Here's a great medium uptempo swing chart on the classic standard by Jerome Kern. Carefully paced and well-scored from beginning to end, it features trumpet and tenor along with ensemble parts that are written with a variety of dynamic contrasts. Effective and fun.

Gotta have this one! Composed by Grammy winner and jazz legend Herbie Hancock, arranged for you by Alan Baylock, this is funky and hip. Open solo space for all, lead trumpet goes up to written D, plus a few hot drum fills. This is a great chart. Duration: 6:30

From the movie musical that rocked the entertainment world, here is an exciting medley that includes the show stoppers “And All That Jazz,” “Cell Block Tango,” and “Roxie.” Great entertainment with a tip of the hat to the styles of early jazz.

Sly & the Family Stone became a household name in the late '60s and this up-tempo rock tune typifies this group's energetic and funky style. This one will be a blast for your students to play and a “blast from the past” for their parents to hear!

What a neat idea to turn this Henry Mancini classic into a medium samba groove! Your lead trombonist receives some well-deserved feature time and is joined briefly by the entire bone section. The ensemble “shout” chorus begins with an ingenious unison line played softly to start, before turning things back over to the trombone solo. Nicely done!

From the brash, slightly irreverent, and wildly popular TV series “Family Guy,” here is the supercharged big band style theme adapted by Roger Holmes. The style is medium swing and it features an alto solo along with screaming ensemble hits.

One of the most recognizable tunes from mega-group Earth, Wind & Fire. This exciting production number opens with the slow chorale then launches into one of the best funk grooves ever written! Features a small ensemble on the head, powerful ensemble writing on the choruses and solo space for tenor sax. Hot!

Re-issue. Mark Taylor's arrangement of this classic early composition from Chick Corea starts with the saxes playing the rubato opening, followed by a moderate tempo Latin/rock groove. The main theme is stated first by a front line of alto, tenor and trumpet before the entire ensemble gets into the act. Solos are included for trumpet and piano.

Feature a flugel soloist on this lush and melodic original from Mark Taylor. Written in a relaxed Latin groove, this offers an opportunity for a change of pace for your concert.

Turn the creative forces of Frank Mantooth loose on a couple of Beatle favourites and you never know what you might get! Here Frank uses a New Orleans style street beat creating a wonderful effect with these well-known classics. Requiring no solos, this chart is a study in unique ensemble styling

Here is a well-paced chart on this Miles Davis jazz standard that’s packed with plenty of style and variety. With a full chorus sax soli plus solos for tenor and trombone, this is a wonderful addition to any program for contest or casual concert.

In the skilled hands of Mark Taylor, here is a swingin' arrangement of this classic Ray Brown jazz waltz that features the saxes and plenty of great-sounding ensemble writing. This offers a nice style change for festivals or concerts.

This invigorating chart stays true to the classic sound of its creator Stevie Wonder. It features a medium slow groove and a flexible solo section. Guaranteed fun.

With no solos required, only a solid driving rhythmic groove, here is an authentic-sounding version of this Earth, Wind & Fire classic. Trombones are featured on the melody and all the signature horn riffs from the original are beautifully captured. Guaranteed fun!

Mix the stylish spy music from the 1960s with a dose of cool jazz and you have a winning combination for jazz ensemble. From the latest Pixar hit movie, here is a high-energy and entertaining chart that captures the essense of the soundtrack.

This wonderful standard from the '30s receives a fresh and inviting treatment in the hands of John Berry. Featuring a medium swing style that alternates with sections of Latin, creative harmonies, and skilled ensemble scoring, this contemporary chart will work great for any occasion. Includes solos for trumpet and tenor.

If you want Latin excitement, then this is it. Victor Lopez does it right with Jona Jam which has the melody stated by tenor and trumpet with solos for both, fierce trombone soli, and all the Latin montunos you need. Lead trumpet range is to written A on top of the staff. It’s electric! Duration: 3:34

In a fast samba style reminiscent of Horace Silver's “Nutville”, this energetic chart features trumpet, tenor and trombone backed by a marvellous display of ensemble sounds weaving in and around the melody.

Here is one of the signature dance numbers from the landmark musical West Side Story. Michael Mossman has created a masterful adaptation for jazz band using elements from the original and a creative touch of his own.

Dizzy Gillespie was a genius at combining Latin influences with the jazz idiom. This medium tempo arrangement of one of his best-known compositions really sizzles for jazz ensemble.

Here's a playable yet very effective arrangement of this signature Mingus composition. The familiar bari sax riff is handled by three saxes, and there is also a substantial soli for the entire sax section. 

Who would have thought to transform this Stevie Wonder hit into a swinging jazz waltz? That's exactly what master arranger Mark Taylor has come up with as he uses this creative setting to feature an alto sax soloist and inventive ensemble lines.

This challenging piece is set in modern 3/4 and 6/4 grooves. The rhythm section is key to the success of the performance, so many written parts have been provided. Proficient groups looking for a great festival piece that showcases their concept of precision and balance won’t want to miss this one. Duration ca. 7:10 Grade Advanced Style STRAIGHT 8TH FEEL

Titled in honour of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this at a medium tempo or as a blazing burner, the result is the same – a unique-sounding chart that swings like crazy.

Composed by Latin master Tito Puente and made famous by Santana, this is one of the most popular Latin tunes ever written. Here's an oustanding arrangement for jazz ensemble featuring sizzling ensemble writing and solo space for trombone, tenor and trumpet. All Latin percussion parts are carefully notated for an authentic sound.

It doesn't get any funkier than this! James Brown and one of his trademark tunes are a perfect match for Mark Taylor and this outstanding version for jazz ensemble. Features hot writing for the brass and a funky rhythm section groove.

This is the unmistakable number 1 hit from the 70's group Average White Band! Mark's ultra-funky and ultra-cool chart written in classic “horn band” style showcases the familiar licks and hot rhythmic groove. Great chart for letting your soloists really open up!

Originally a hit for DeBarge in 1985 and more recently revived for the hit movie Moulin Rouge, here is a hot chart for your entire ensemble. This one really burns with Latin excitement.

Dave Wolpe is an outstanding arranger. His chart on this jazz classic features flugelhorn set in a ballad style with a swing interlude for the solo. Quality from top to bottom—great tune, great chart. Duration: 3:57

Here’s the classic funk tune from Earth, Wind & Fire in a terrific arrangement for big band by Mark Taylor. This one includes all your favorite signature horn riffs as well as a solo for tenor sax.

The creative genius of Stevie Wonder never grows old. Here is a hard-hitting medley of hits that opens with the saxes playing lead on Living for the City. Next is You Are the Sunshine of My Life with the trombones followed by trumpets. The entire band gets to wail on Sir Duke, while Signed, Sealed, Delivered I’m Yours starts with the saxes then ends full out with the entire ensemble.

Originally recorded by Sam and Dave, and made popular by The Blues Brothers, this well-known rhythm and blues workhorse is a natural for jazz ensemble. In the skilled hands of Roger Holmes, this one flows nicely but rocks hard!

Paul Jennings' masterful arrangement from 1982 sounds as fresh today as it did 20 years ago. The authentic sounds of Chick Corea's classic are faithfully captured and this new edition is notated in cut time (rather than 4/4) to make it much easier to read. A real gem for every jazz ensemble.

Mike Tomaro takes this funk classic by Stevie Wonder through a series of new twists and turns, but he is careful to preserve the great groove and signature horns riffs from the original. Featured are solos for alto and trumpet.

Here's one of the great bebop tunes of all time from jazz great Sonny Rollins. Mark's medium up-tempo chart features both tenor saxes and swings like crazy.

Recorded by Michael Jackson back in the 1980s, this highly infectious tune has one of pop music's funkiest bass lines plus an all-around great groove. In the hands of Roger Holmes this one is sure to add punch to your next concert.

This tribute by arranger Jeff Hest brings two classics to you with Dorsey’s famous hits, “Song of India” and “I’m Getting Sentimental Over You.” If you have a lead ’bone with range and a sweet sound, then this will be the perfect showcase. Includes standard sax parts plus optional parts for saxes with clarinet doubles. This is the real deal for Tommy Dorsey. Duration: 8:33

Celebrating the achievements of a true jazz innovator, this excellent medley by Mark Taylor embraces some of the greatest compositions by the legendary Miles Davis. Includes: So What, All Blues, Seven Steps to Heaven and Milestones. Featured are solos for trumpet and drums.

Here is one of the most tuneful of Jobim's many familiar Latin standards in a marvelous setting featuring a baritone sax soloist. The style is a laid-back Latin groove and Michael incorporates a wealth of creative harmonic and textural devices in this distinctive arrangement. Also included is a sax soli and a lush tutti ensemble chorus to round things out.

Sammy's interpretation of this great old tune is right on target for today's jazz ensembles, with all the class we have come to expect from this master arranger! Written in a relaxed swing style, this chart features lots of tutti ensemble writing, very melodic counter melodies, and also a wonderful sax soli. No solos required.