General Catalogue  Up a Level         

More than just a showcase for your lead trumpet, this monster chart is a powerful statement for the entire ensemble. Opening with the quasi flamenco strains and followed by a melancholy trumpet solo, the first big ensemble “hit” is guaranteed to move the audience back a few rows! Great writing for all sections and especially the rhythm section.

Gordon Goodwin’s chart has a funky, sassy and contemporary groove, just like the title suggests. Solo space for alto, tenor and bari sax, lead trumpet range has a few high G’s. You’ll dig this chart!

Michael Abene's unique and creative style is in full force with this powerhouse version of Sonny Rollins' great tune. Michael's chart was originally recorded by the GRP All-Star Big Band and he has rescored it here for full jazz ensemble. The beginning is angular and striking but slips effortlessly into a roaring swing chart. Woodwind doubles are required (flute and soprano sax).

Another winner from master arranger Dave Wolpe, Alone Together features a duet for tenor sax and trombone with solos for each. This is some of the finest ensemble writing on the planet. A swinging groove throughout, hip chord changes, accessible brass ranges, and years of writing experience will deliver a successful performance for your band every time. Quality writing! (3:41)

As recorded by Peggy Lee, Joe Williams, Count Basie and many others, this popular standard breathes new life under the masterful pen of Sammy Nestico. A flexible solo section allows for any combination of soloists.

Arranger/composer Bob Mintzer adds brand new life to this dynamic jazz swing tune, as recorded on his recent Grammy winning CD Homage to Count Basie. The bossa nova treatment serves as a perfect blend of Bob's contemporary harmonies with the traditional Basie sound. There is solo space for piano and optional solos for alto or trumpet. The brass range is very accessible with trumpet only to written G on top of the staff. This highly recommended chart belongs in every jazz library. (6:05)

At last, a showcase for the trumpet section from Gordon Goodwin! The groove is straight eighths with a funky feel. Solo space is provided for trumpets 1, 2, 3, 4, but can be tailored as desired. Lead trumpet range is to written high G with an optional A. This is a fun chart and will be a kick for the band and audience. Duration: 6:54

Grade Advanced Style SWING

Grade Advanced Style SWING-'AS RECORDED'PRO VERSION

Big Band paradise: Gordon Goodwin with a Basie groove. This Disney theme will stay in your mind and the groove will delight the band and the audience 100 percent. Solos for piano and tenor sax, dynamics galore and a fabulous shout chorus. A terrific chart start to finish. As performed by the Gordon Goodwin Big Phat Band. Duration 4:49

This is a truly authentic transcription of Artie Shaw's classic version of BEGIN THE BEGUINE. Jeff Hest has meticulously notated every detail of this famous chart. Since it was such an important song in the genre, this arrangement creates a great opportunity to teach your students about the history of the big band. (duration 3:19)

It's a bright swing blues with a half-time funk section interlude. Solos are for baritone sax and trumpet, and lead trumpet range is to written high C. There's plenty of swinging ensemble topped off with a modulation making this chart a gas to play. (3:09)

Grade Advanced Style STRAIGHT-AHEAD BLUES

A classic minor blues tune from Dizzy Gillespie, Mike Tomaro starts this version as a funky mambo but then shifts the style to swing and finally back again to the mambo. This well-paced chart features a great feel plus solos for trumpet and tenor.

Recorded by the Bob Mintzer Big Band on the CD “Old School – New Lessons” (MCG Jazz), this inventive original for proficient groups takes the Latin guaguanco rhythm to an entirely new destination. This challenging, yet satisfying piece is structured in three-measure phrases, making it a unique and rhythmically dynamic composition. Duration 6:00. Grade Advanced Style LATIN

A show-stopping tour de force! Dave Brubeck's fabulous tune from his classic quartet album Time Out. Arranger Kris Berg worked hard on this chart to capture the essence of Brubeck. The meter changes from 9/8 to 12/8 Afro-Cuban groove with the Brubeck rhythm patterns. Solo space for alto 1, trumpet 2 and drums. Lead trumpet goes up to high C. This is an exceptional chart! (5:03)

Adapted as a mambo, Michael Mossman pulls out all the stops on this unique and exciting setting of Clifford Brown's jazz standard. The brass section screams out the melody while the saxes fill in blazing counterlines and a soli of their own. Solos are flexible and the rhythm section is called upon to propel the entire chart in an energized and vibrant style.

This is a must-have solo feature for alto saxophone! Dave Wolpe is one of the finest writers ever and this chart is one of his very best. With a Kenton-esque rubato introduction, Dave proceeds with a ballad style but hold on to your reeds, the double time tempo swings hard. With some great ensemble writing, Dave sends the alto soloist off in grand style. After some solo space the chart returns to the ballad tempo leading into two fermatas creating a dramatic ending. This is an outstanding chart! (4:07)

Mingus loved the blues, and this powerful and highly energized arrangement from the CD “Live In Time” is a staple in the book of the Mingus Big Band. It features the signature bass line scored for the lower voices and full ensemble lines that really roar. Can be played as fast as you dare!

Accompanied by drums on brushes, saxes take the first round followed by the brass on this tasty bop-style original from Mark Taylor. Plenty of nice ensemble work and section feature spots spice up this winner. Solos are for trumpet and tenor.

A Brazilian style samba, Buds is an outstanding showcase for a jazz trumpet soloist. Brilliantly arranged by Alan Baylock, this composition by jazz trumpeter Randy Brecker opens up with the melody stated by 2nd trumpet, alto, tenor, 1st trombone and guitar. The ensemble develops the melody further leading into the solo section where the ensemble plays a smooth samba groove as background support to the 2nd trumpet soloist who builds the intensity. Auxiliary percussion featuring shaker and cowbell can really enhance this chart. The brass range takes lead trumpet up to written E-flat and lead bone to B-flat. A superb chart for an experienced band. (4:31)

This monster chart is directly from the Benny Goodman library. Transcribed and re-created by Jeff Hest, not many tunes can match the energy of this big band classic. Solos are for clarinet (solo part,) trumpet, tenor, and trombone with solos written out along with the chord changes. Bugle Call Rag will provide a solid jazz education lesson in the swing style and it's also a super crowd pleaser from the first note to the last. (2:46)

Wow! This is a show-stopping chart by arranger Alan Baylock of the Ellington/Tizol classic. The groove moves logically between an up-tempo swing, a “Maiden Voyage” feel, a double time swing and a 12/8 Afro-Cuban feel. Features include plenty of solo space for tenor saxophone, brief written melody lines for various instruments, and lots of moving lines and sax solis. Lead trumpet range is to written D above the staff. Caravan is nothing short of spectacular. Duration: 7:39

Style: ballad (bolero). Ranges: C6 trumpet, G4 trombone. Solo: piano. Rhythm sectio parts partially notated with chords cued. Standard instrumentation. Grade: advanced

Style MEDIUM FAST SWING
Grammy nominated jazz writer, trombonist, and vocalist Pete McGuinness brings us this bright modal blues for proficient big bands. Modern-sounding lines and harmonies abound in this swinging chart from Pete’s First Flight CD (Summit Records). Structured as a long-form modal blues in C minor, this chart will be a favorite with your improvisers. A balanced combination of combo and big band writing is present in this well-crafted original. Don’t miss out on this one! Duration 7:55

Here's Glenn Miller's super hit authentically transcribed and re-created by Jeff Hest! This one is a must-do chart to teach the distinctive Glenn Miller sound and style. Its unique arrangement can be done either as an instrumental version without vocals or with the traditional and original vocal group parts. This is an important song in the Miller legacy, and Jeff Hest is the master of transcriptions/re-creations of big band classics. The vocal part is re-written for C, B-flat, or E-flat instrumental lead with all the harmony and voicings meticulously notated, and vocal group parts with lyrics are included, too. The audience and the band will love this chart. You can't lose!

From the pen of the emerging master of Latin sounds, Victor Lopez, comes his latest and greatest chart. The piece features a unique blend of trumpet/flugelhorn, soprano sax and optional flute. From an introductory Afro-Cuban groove in 6/8 that breaks into a hot salsa groove, this smokin' chart is not for the faint-hearted: it really cooks! (duration 4:14)

The unique genius and originality of Charles Mingus is nowhere more apparent than in this symphonic masterpiece adapted for big band by Sy Johnson. Involving no improvisation but rather a series of through-composed colors and changing moods, the Mingus Big Band has been amazing audiences for years with this impressive concert piece. Stunningly effective and different!

Good old cousin Jeff must have been some funky relative! This Les Hooper original features a moderate tempo and attitude-driven funky 2-beat as it churns through a piano opening, sax melody and brass stabs. Also included is solo space for tenor and some spicy ensemble licks near the end. 

Energy and groove are the key elements in this burner. Kris takes Dave Brubeck’s New Orleans style tunes and adapts it to the big band with style. An improvised solo for 1st alto and 2nd trumpet, along with some tricky lines for the alto and trumpet together, will offer some challenges. Some big, juicy ensemble will keep the band busy, too. A super-hot chart!

Bob Mintzer has arranged Neal Hefti's classic Cute. From the Bob Mintzer Big Band's newest CD, Homage to Count Basie, this is a fresh and contemporary treatment of the clever and appealing tune. The tempo is brisk and the rhythms and harmonies are sophisticated, making this chart suitable for the more experienced band. Featuring the drums (of course) along with tenor, trumpet, and trombone. Audiences and musicians will delight in a creative arrangement of this well-known big band standard written by one of today's most innovative writers. Optional woodwind doubles. An outstanding chart!

If you have the horses, let 'em run with this churnin', burnin' swing monster from Maynard's big band album, 'Big Bop Nouveau.' This chart really burns, but will sound just as hot with the tempo turned down a notch or two. Includes some smokin' optional choruses featuring saxes alone without rhythm section.

Grade Advanced Style ROCK FOLK DANCE

Continuing the fine big band tradition of Count Basie and Thad Jones, John Clayton's exquisite chart on this standard tune blazes a trail of excitement and power. Written as a medium up-tempo swinger, the saxes are featured off the top, followed by trade-off solos for trombones and trumpets, and later a tenor solo. A screaming shout chorus takes us out.

A challenging saxophone quartet written for soprano, alto, tenor and baritone saxophone, a cappella. The first two movements are classical in style and concept and movements 3/4 are played with a jazz concept to include some improvisation. An extraordinary yet superb composition. Duration 12:18

Written for Walt Disney World, Sammy's masterful touch shows in this fiery medley of Mickey Mouse March and Zip-A-Dee-Doo-Dah. Mostly a study in ensemble scoring in a wide variety of tempos and styles, this chart is vintage Sammy at his swingin' best. Tenor sax gets a chance to solo in a quasi gospel style vamp near the end.

Originally arranged and premiered by the WDR Big Band in Cologne, Germany, this powerful chart was recorded by the Clayton-Hamilton Jazz Orchestra on their CD “Heart and Soul.” Featuring the saxes off the top accompanied by the screaming brass section, this chart also includes solos for trombone, trumpet, alto and drums. Even the background figures are a study in composition and development. Hot!

A brisk salsa , featuring an Earth, Wind & Fire unison horn theme over a percolating Latin groove. Bob recommends listening to his CD, Latin From Manhattan, before rehearsing and advises directors to work with horns and rhythm section separately before having them play together. Grade Advanced Style SALSA

Dedicated to the memory of recently deceased jazz drum legend, Elvin Jones, this engaging swing original for proficient groups is a modal work that sets the tone for the drumming giants loose and open style of playing. Piano, trombone, and tenor saxophone are featured and John Fedchock’s recogniSable chord voicings are apparent throughout. Rousing background figures add to the excitement prior to the climactic finish where the drums are placed in the spotlight. The piece can end in classic “Elvin” style with a cymbal crash providing the perfect stylistic exclamation point. Don’t miss this latest addition to the concert/festival literature! Duration 9:30. Grade Advanced Style LOOSE SWING

John gives this classic jazz tune by Sonny Stitt the royal treatment with this burning up-tempo swinger. This exciting chart features the entire sax section and builds to a wild shout chorus for the entire ensemble. Displaying John's mastery of the big band idiom, this one is a winner!

This exciting and well-crafted composition features a light and breezy samba style and some marvelous ensemble writing. A duet for alto and trumpet is featured on the head, as well as later in the chart for solos. Along the way are creatively designed background figures and a “shout” section that features the drums followed by a solid tutti ensemble statement.

Monk was a master of composing unconventional and angular melodic lines. John Clayton provides a jagged yet stimulating chart that features dueling trumpets and an exciting full band shout chorus. From the recording “Explosive! - Milt Jackson Meets The Clayton-Hamilton Jazz Orchestra.”

From the Mingus Big Band CD “Gunslinging Birds” here is an unpredictable romp for mature bands. Exploring a wide mix of seemingly unrelated sections, the genius and eccentricity of Mingus is apparent as the piece comes together in grand fashion finally settling in on a medium swing groove (for a while).

From John La Barbera's latest big band recording, here is the title cut – a masterful arrangement of this little-known Ellington gem. The tempo is moderate in an African/Latin vein and features a wealth of interesting orchestrational colours within the context of the big band. Featured solos include tenor or soprano sax and piano. Unique and dynamic!

Originally featured in the Broadway production of Lady Be Good, this Gershwin composition has become a jazz standard. Chuck Sayre presents this arrangement for jazz ensemble that is sure to leave toes tapping!

Super samba! From our man Victor Lopez, this chart is totally hot and WILL challenge the band. Some fierce unison lines, the melody stated by alto and trumpet, solo space for alto, trumpet, trombone, and drums. Optional flugelhorns. Lead trumpet goes up to written D above the staff. If you want a smokin' samba, this is it. (4:02)

Recorded by The Clayton-Hamilton Jazz Orchestra on their CD “Absolutely!” this light Latin setting opens with a unique intro featuring guitar and arco bass. What follows is a lush ensemble statement with drums playing on brushes leading to an extended solo section for piano. Very nice!

Grade Advanced Style EASY SWING

Recorded by the group Chicago, this rock favorite receives a sophisticated yet hard-hitting treatment from John Wasson. Featuring intricate lines and powerful ensemble hits, this is a great rock adventure for advanced bands.

Style LOOSE SWING
As recorded by the Bob Mintzer Big Band on the album Swing Out (MCG Jazz), this loose swing original is a perfect programming choice for proficient groups. Based on the C Ionian mode, the composer uses a complex and dense harmonic approach as evidenced in voicings throughout this innovative work. Due to the chord clusters, blend and balance are of utmost importance. A solo is provided for trumpet, during which time the rhythm section allows the player space to improvise freely before initiating a groove. Duration 7:15

Grade Advanced Style SWING

With Arturo Sandoval's newest CD “Hot House” the trumpet master strongly asserts himself as a force to be reckoned with in the area of big band jazz. This is the lead-off tune to the CD and it combines the traditional Cuban dance style with a bit of contemporary funk. The result is a sultry mix that is both dynamic and powerful. Includes solos for Tenor and Trumpet.

Les Hooper always delivers very hip funk charts and this one is no exception. With a terrific shout chorus and a funky Steely Dan type groove, solos are for tenor 1 and trumpet 2, and lead trumpet range it to written D. Groovy baby! Duration: 4:21

From the Clayton-Hamilton Jazz Orchestra CD “Groove Shop,” here is John's uptempo and energetic take on this Hoagy Carmichael favorite. Perfect as an opener, this explosive chart features tenor sax as well as dynamic parts for the full ensemble.

This funk chart was originally recorded by the Yellowjackets for their Time Squared CD. Filled with unexpected twists and turns, this big band version requires a triplet-based swing feel similar to hip-hop. Duration 6:40. Grade Advanced Style FUNK

This is probably Charles Mingus' best-known composition. Sy Johnson's updated chart is the authentic version from the latest CD by the Mingus Big Band, “Blues and Politics.”

This swingin' Basie-style shuffle starts out with a piano chorus followed by the saxes and finally a roaring brass section. Also featured are solos for tenor and trumpet and a fabulous shout chorus that starts quietly then builds to the end. Just hard-hitting swing as only Mark Taylor can deliver.

Originally written for the Stan Kenton Orchestra and featured on the new Mark Taylor/Steve Fidyk Big Band recording “A Perfect Match” (heard here), this is a challenging yet rewarding samba for mature bands. Primarily a feature for flugelhorn and trombone, the full ensemble answers with hot unison lines and screaming punches. This one demands attention!

Grade Advanced Style MEDIUM SHUFFLE

This John Clayton original from the CD “Groove Shop” explodes into a medium swing groove, then features a small group (soprano, tenor, trumpet and trombone) on the first go-around of the tune. The saxes have a soli feature and the entire ensemble helps deliver the powerful shout. Includes solos for trumpet and piano.

Here's Dizzy Gillespie's classic in an outstanding Latin setting for full jazz ensemble by Mark Taylor. Just what you would expect from a quality arranger working with a quality tune, this smokin' chart delivers the goods!

Gordon’s chart is a New Orleans groove with the creative Goodwin touch. Solo space is for alto, tenor, trumpet and trombone. Lead trumpet range is up to high G and some piano ostinato licks are just a few of the features. Cool chart.

You probably think you know this song...that is until you hear John Clayton's arrangement! He includes the rarely played verse, along with a slow ballad tempo and gorgeous woodwind colors to create a masterpiece for the jazz ensemble. This chart goes to show that good jazz isn't always loud and fast! In addition, Mr. Clayton's harmonic palette is nothing short of stunning. (no solos required) Recorded by the Clayton-Hamilton Jazz Orchestra on “Heart And Soul.”

Latin-swing-Latin! If you like the Latin thing but are more comfortable with swing, this is the perfect chart to clearly teach the different rhythms, accents and styles of Latin and swing all in the same fun arrangement. In this Victor Lopez original, the Latin head is stated by trombone, tenor, and trumpet, followed by a swing section with the bass player walking, and then right back to the Latin groove. It goes from a powerful build-up into a flexible solo space to a tenor solo and right into an interlude with a true Latin percussion section. Check out the super-sax soli for your saxes. Brass ranges to B-flat make this chart very playable. A winner!

Hullabaloo is a contemporary New Orleans groove chart that mesmerizes! Composer/arranger Alan Baylock delivers a very exciting arrangement with melody lines that are played by alto, tenor, trumpet and trombone with solo space for each. Lead trumpet range goes up to written D above the staff. This chart is funky, exciting, fun to play and will captivate the audience. Duration: 6:29

There's always time for the blues. This original by John Clayton (and recorded by the Clayton-Hamilton Jazz Orchestra on “Heart and Soul”) is set in a bluesy and relaxed tempo and provides lots of room for soloists to “holler” at each other. After the opening conversation between two trumpets, the sax section lays down the main theme followed by answers provided by the brass. Solos for tenor, alto, trombone, piano follow, and finally the full band takes us the rest of the way. This is a great chart to settle back on and just swing!

Featuring the lead trombone, this one really swings! George Gershwin® composed it and Dave Wolpe arranged the ultimate jazz standard as a showcase for your trombone soloist and the entire bone section. There is solo space galore in a well-crafted chart. Lead trumpet to high D and trombone soloist also to high D. Optional vibe part. A top choice.

If you're looking for a flugelhorn and piano feature, you found it right here! This is a superb ballad that is lush, harmonically rich, and simply a beautiful chart. The featured solos are tasty, musical, and set perfectly to showcase the soloists.

From his album “Night Flight,” Sammy Nestico has put a new light on this great standard, transforming it into an ensemble showcase that just doesn't let up. There are solos for alto and trumpet, and some nice places for the drummer to show his stuff. Great opener!

This up-tempo dedication to the great Benny Carter has solos for alto, tenor, trumpet, piano, and trombone and has plenty of Wolpe ensemble writing, a great melody, and nice chord changes. A superb chart! (3:25)

Another Dave Brubeck jazz classic! Once you hear this melody, you won't be able to get it out of your mind. Done with a bossa nova feel using quarter-note triplets throughout and with these wonderful chord changes, your students will quickly learn what smooth means. Written solos with ensemble backgrounds for tenor sax and piano make this chart extremely accessible. Dave Wolpe's magical scoring makes for an outstanding arrangement--the perfect choice for a variety of performance settings. Enjoy! Brubeck for Big Band Series

Here is THE hot version of this swing standard arranged by Jeff Tyzik as recorded by Doc Severinson and the Tonight Show Band. With a dressed-up feel and solos for alto, tenor and trumpet, this timeless classic never sounded so good!

This popular standard gets the full Canadian Brass treatment in this big band setting. Written in a medium swing style every section gets a workout in this swingin' chart.

Written to feature former Hoosier Jeff Hamilton on drums, this John Clayton arrangement gives this standard tune a few new twists and turns. While serving primarily as an accompaniment for the drummer on brushes, it's a wonderful study in ensemble playing in a medium swing tempo. Tasty! Recorded by the Clayton-Hamilton Jazz Orchestra on “Explosive!”

This is a very clever jazz waltz by jazz legend Dave Brubeck. Dave Wolpe has arranged Brubeck's composition and created a superb chart featuring alto saxophone and trumpet with the melody and solo space. This chart will keep your band on its toes, as the swing waltz is a little tricky. This is an adventure in 3/4 time; it has great chord changes, too.

This monster chart from John Clayton was written specifically for his clinic presentation at the IAJE convention where it was rehearsed and premiered in January 2005. After the rhythm section sets the tone, the trumpets state the first “calling” then pass it along to the rest of the ensemble. This amazing composition grows organically throughout as tension and release points are explored and the final climax is realized through a layering effect from section to section.

This jazz waltz is stunning! Arranger Eric Richards has taken Fats Waller's wonderful classic and brought new life to this hip tune. Solos (written for piano, tenor and trumpet), powerful ensemble and solis, a stop-time chorus, a brief drum solo, and lead trumpet range that is up to written high D. Very hot! Duration: 6:06

The funky stylings of Horace Silver are featured in this energetic arrangement from the acclaimed CD “Live at the MCG” recorded by the Clayton-Hamilton Jazz Orchestra. A trumpet and tenor duet starts us off, followed by ensemble punches and solos for tenor and trombone. The entire ensemble gets into the act as the chart roars to a climactic finish.

This is the powerful opening track from the acclaimed CD “Impulsive!” by the Danish Radio Jazz Orchestra playing the music of Brazilian composer/pianist Eliane Elias as arranged by the legendary Bob Brookmeyer. This chart simply roars with big band energy and power as the opening full band statement gives way to a relaxed swing shuffle. Featuring brilliant ensemble writing and plenty of solo space for piano this is an arrangement not to be missed by mature bands.

Grade Advanced Style BALLAD

When Les Hooper sets out to do an arrangement of a favourite tune, you can expect something new and exciting...and that's certainly what happened with this chart! Full of surprises and plenty of solo room, this unique setting is jazz programming at its best.

Style STRAIGHT 8TH FEEL
Inspired by the classic 1959 Miles Davis album Kind Of Blue, other source material comes from a traditional Appalachian tune titled Cluck Old Hen. Upbeat and lighthearted, the chart borrows a 32 measure progression used in Miles Davis’ composition So What. The optional vibes part adds a lot to this piece. Brass ranges are moderate, and the bass part contains chord changes and suggested lines. This is an ideal opportunity for your group to enjoy the music of one of today’s greatest jazz composers. Duration 3:50.

You want Latin--we've got Latin! This original melody bounces from the trumpets to the saxes over some great bebop chord changes. The students will even enjoy a bit of jazz history as Victor quotes Dizzy Gillespie's Salt Peanuts. After a dynamic build up to the open solo section, your flexibility is optimised with solo chord changes on all parts along with ensemble backgrounds. Then, as only Victor Lopez can do, the groove changes completely to a heavy Latin funk section in which the horn sections trade musical statements. This one is suitable for Grade 4 but is extremely playable since there are no extreme ranges or complex rhythms. Enjoy this Hunny of a chart.

Authentic Benny Goodman edition. Benny Goodman's band helped define an era. This authentic edition of his famous theme song has been carefully researched from archive copies as well as original recordings. In addition, Benny's clarinet solo is fully transcribed. A great-sounding and historically important title.

From the library of John Fedchock’s New York Big Band, “Limehouse Blues” is an exciting up swing, flag-waver featuring crisp figures, and mighty ensemble sections. Designed for proficient groups, open solos are included for piano, and trumpet - and an alto/tenor sax battle is thrown in for good measure. Grade Advanced Style UP SWING

Opening with a crash from the band and an extended drum solo, the melody creeps in quasi-Art Blakey style. Small group statements are offset with full ensemble shouts, and half-time sections are contrasted with an uptempo groove. This is from the recording “Heart and Soul” by the Clayton-Hamilton Jazz Orchestra. Must have been some “little old lady”!

As performed by the Carnegie Hall Jazz Band, this Michael Abene chart opens in a relaxed swing style in a moderate tempo. Michael brings as much of himself to this chart as the original song itself, as he weaves in new material creating an arrangement that builds to a hard-hitting full ensemble climax. Includes solos for piano and baritone sax.

Grade Advanced Style SALSA
Here’s a great salsa original for proficient groups that employs a strong melody supported by authentic Latin harmonies and solid orchestration. To ensure the proper groove, the piano montunos are fully notated with chord symbols provided most of the time (pianists are encouraged to comp if familiar with the salsa style). The guitar part consists primarily of chords and slashes, with melodic material notated in some sections. The three solo sections have chord changes cued for guitar, trombone and baritone saxophone. Duration 4:35.

Check out Alan Baylock, one of the finest writers on the scene today. Alan's hip chart for Cole Porter's Love for Sale starts off with bari, bass trombone, and bass handling the melody and it goes upwards and onwards from there. Jazz solos for alto 1 and trumpet 2. Lead trumpet to written D, bone to A-flat. Energy galore, full ensemble, contrapuntal lines, solos, solis - you name it, this fine chart has it.

Fiery! Hot! Burnin'! Smokin'! Searing! Scorching! Get the picture? This is Victor Lopez doing what he does best -- creating powerful and exciting original Latin charts. Macumba has a few challenging ensemble moments, but if you have the rhythmic chops, you'll love this chart. While the bass groove keeps it all together, the auxiliary percussion and the solos for tenor and trumpet bring this chart to a boil. This is Latin jazz -- Lopez style! (3:14)

Grade Advanced Style FAST SWING

A fiery and imaginative arrangement of this classic tune that demands attention from beginning to end. A great way to showcase your entire band!

Another superb Bob Mintzer original, March Majestic is a New Orleans-flavoured chart with a swing feel, which draws on the influence of composer Aaron Copland. Solo chord changes for tenor sax 1 and trombone 1. Lead trumpet goes up to written E-flat above staff. Very hip. (4:53)

If you want to teach swing to your jazz band, this chart will do it. This vintage standard still has plenty of get up and go when arranged by Dave Wolpe. Dave is one of the most consistent and polished writers in the business because he delivers a great chart each and every time. Solo space for first trombone, first tenor, and piano, and lots of big ensemble sound will please the entire band. Accurate swing articulations and easy rhythmical figures will make this one easy to learn and play. You can't lose!

There is never a lack of attitude from the Clayton-Hamilton Jazz Orchestra as evidenced by this bluesy shuffle from their CD “Shout Me Out.” With the saxes on the head, complemented by screaming ensemble punches and a tempo that's just right, you have a formula for a real winner! Solos for tenor, trumpet and drums.

Composed and arranged by Gordon Goodwin as a duet for Maynard Ferguson and Wayne Bergeron. Gordon adapted this one to feature only one trumpet soloist with written lines and some jazz solo space. It swings hard and lead trumpet range is to written high F, plus the second trumpet part is rangy too. An outstanding chart to showcase your lead player that’s worth the work! Duration: 5:45

Grade Advanced Style ROCK

Energy, excitement, Latin -- that is the sound of Miami Spice! This is a power-packed original by our resident Latin specialist, Victor Lopez. Victor has produced many originals that have become huge hits, and this chart is next in line. Dedicated to Florida International University Jazz Ensemble and their former director, J. Richard Dunscomb, this is a tribute to the sound of Miami. The Afro-Cuban groove in 6/8, solos for tenor and trumpet, and monster ensemble unison will have the entire band sitting up taking notice. If your band is experienced, then you have a winner in your hands. This is hot!

Style SECOND LINE FUNK
Featured on the John Fedchock New York Big Band CD Up & Running, Mr. Dudley is a lively romp for proficient groups utilizing a funky New Orleans “second line” street beat. Solos are assigned to bass clarinet and trumpet, with an optional baritone sax part offered for groups without a bass clarinet. The fun, quirky melody leads to some plunger mute antics with the brass section and as always, you’ll get John Fedchock’s signature voicings with lots of harmonic integrity. After the trumpet solo, an exciting shout chorus features interjections by a Dixie band (trumpet, bass clarinet, trombone, alto sax). The piece concludes with a final march down Bourbon Street with building backgrounds, leaving the soloists to fade into the distance. Duration 6:05

Monk tunes are always creative and a bit out of the ordinary. Also out of the GRP All-Star Big Band book, this marvelous orchestration explores a variety of dissonances, textures, and styles. The tempo is slow and alternates with a swing double time feel. Piano is featured in the beginning and there is solo space for tenor sax as well. Woodwind doubles are required (flutes and soprano saxes).

This up-tempo swinger has become the signature tune for the Mingus Big Band. It opens with a free-wheeling baritone sax solo and features raucous ensemble passages and group improvisations. You won't find this chart on any easy-listening radio stations!

This is a Victor Lopez Latin creation that will challenge your band and dazzle your audience. Cuban born Victor Lopez is a world-class arranger and composer and a specialist in Latin jazz. Solo space for tenor sax, Latin percussion parts, and a monster tutti section will keep each player in the band on the edge of their seat. If you have the horsepower and the guts, go for Mondongo!

Combine the music of the legendary Duke Ellington with the contemporary arranging genius of John Clayton, and get ready to hear Mood Indigo like you've never heard it before! Written in a slow swing style, this smooth chart is written with harmonic sophistication and emotional depth. From the velvety soft passages to the powerful full band hits, this is an impressive setting. Includes solos for trombone and tenor.

Gordon Goodwin's CD “Big Phat Band - Swingin' For The Fences” contains a wealth of terrific charts in a wide variety of styles by this talented writer. This sizzling Latin masterpiece written in a “songo” style features intricate unison lines, blazing ensemble passages, and a continuously energetic rhythmic drive. For the mature band, this is one impressive chart!

Here is an impressive burner based on the Harold Arlen/Johnny Mercer standard. The elongated melody in the beginning is interspersed with solo drum fills. Solo space is included for piano and tenor with outstanding backgrounds from the full ensemble. Meant to be played as fast as you dare, this deserves a feature spot in your concert.

This is a fierce Latin chart that will challenge everyone in the band! Composer/arranger Victor Lopez knows Latin music and he has put his heart and soul into this one. The complex baion Latin groove creates a light and exciting feel and solos are offered for tenor, trumpet and trombone with chord changes. The rhythm part is written out and lead trumpet range is to written C above the staff. Powerful, exciting and worth the effort! Duration: 4:14

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements for solo alto sax, and the ensemble provides a lush accompaniment throughout.

Bob says this optimistic, uplifting tune should be played with swing inflections, and urges directors to play either or both professional recordings for their students so they begin rehearsals with a definite sense of the correct funk-shuffle feel. Grade Advanced Style FUNK

This chart features a flowing even eighth note groove that was inspired by Maria Schneider’s “Last Season”. Explore the rich ensemble textures, chorales, and solos by flugelhorn, trombone, and tenor saxophone. This is the perfect chart for proficient groups to work on their balance and blend. Duration ca. 10:00. Grade Advanced Style GENTLY-EVEN

This bluesy treatment of Billy Joel's classic hit from the 70's features a small group on the verse and later a swingin' full ensemble chorus. Solo for Guitar or Tenor.

From the Sammy Nestico album “Night Flight,” here is a classic flag-waver that pulls out all the stops. Driving and modal, this scorcher offers enjoyable challenges for every section. There is plenty of variety and dynamic range in this one, in addition to solos for tenor and trumpet.

This hot Latin salsa chart grooves with the captivating melody played by the trumpet and tenor. Solo space is provided for trumpet, tenor, and trombone with ad-libbed or written solos. The rhythm section will shine in an exciting salsa groove with the bass playing a tumbao pattern behind the solos. Trumpet range to written A and trombone to F. A superb contemporary Latin chart from the master, Victor Lopez.

In honor of our departed friend, here is a classic arrangement Frank wrote in 1994. It was commissioned by the USAF Airmen of Note and features bass trombone and flugel. Beautiful melodies and tender moments – just like Tooth.

This piece utilises bucket mutes for the brass to allow the ensemble to achieve a quiet intensity. The saxophones adjust in dynamic level to match the delicate swing feel that showcases texture and interplay. Your rhythm section will enjoy a slightly different role than is the norm for playing in a big band. Duration 6:10. Grade Advanced Style

Grade Advanced Style BRIGHT LATIN-SWING

If you like Jeff Jarvis' bestsellers, High Octane, White Heat, Powder Keg, and Critical Mass, then you won't want to miss out on this medium advanced funk chart. Written in the Funkadelic and Rick James old school style of the 1980's, this chart will light up any concert. Interesting and challenging parts are included for all as this tune grooves hard throughout. Duration 5:15 Grade Advanced Style FUNK

The trombone section takes the spotlight in this smooth arrangement of Jobim's well-known standard. There are solo sections for alto sax and piano with creatively written accompaniment figures. The powerful ending section begins with a striking full band unison and drives to the end. Great production number for mature groups.

You want Count Basie? Nothing says Basie more than the original One O'Clock Jump arrangement recreated here by Jeff Hest. Meticulously notated with Basie's simple but timeless piano solo plus transcribed solos for tenors 1 and 2, trombone, trumpet, bass and the mother of all Basie swinging shout choruses. (3:37)

Bob Mintzer paying tribute to Count Basie -- you can't beat that combination! From Bob Mintzer's Big Band's newest CD Homage to Count Basie, this is an outstanding arrangement that is fresh sounding yet still has the traditional feel and character of Basie. Solos for piano, tenor, trumpet, trombone, alto, and baritone sax will keep your band creative. Musicians will devour this one, the audience will recognize it and appreciate the Mintzer touch.

Brilliant arranger/composer Alan Baylock puts a very hip spin on One Mint Julep. A greasy salsa with a hint of Thad Jones-Mel Lewis, Alan's arrangement provides solo space for alto 1, trumpet 2, and bone 1. The rhythm section will have fun with the salsa groove and few meter changes. This is a must-have chart! (6:04

This recent adaptation by bassist Boris Koslov presents the marvelous Mingus composition in a rich setting containing a variety of musical styles. Opening in a quasi-classical style, the piece quickly shifts to a straight ahead swing tempo with angular horn riffs and creative melodies - characteristically Mingus! The rhythmic groove alternates between swing and a 6/8 feel, and there are solo opportunities for trumpet and trombone.

The critically acclaimed movie 'Bird' stirred new enthusiasm for jazz master Charlie Parker. Roger's spectacular arrangement of the 'national anthem of bop' is a great show piece for your sax section.

Style STRAIGHT 8TH FEEL
Tom Garling is definitely one of the most interesting big band writers to come on the scene in a long time. His newest addition to Kendor’s bestselling Jazz Summit Series is influenced by the music of “Weather Report.” As with his other charts, it tests the conventional styles of big band writing with powerful rhythmic and melodic counterpoint. Proficient bands will find this straight-8th feel chart challenging and great fun to play as they garner favorable responses from festival judges and audiences. Duration 4:55.

Using a combination of the Brazilian styles Choro, Partido Alto and Samba, Michael Mossman has crafted this substantial work for mature bands. Solos for alto, tenor and trumpet are intertwined with sizzling ensemble lines and punches. The drum and percussion parts are carefully notated to insure the proper interpretation.

Opening with a shuffle vamp with layers of riffs being added as the intensity builds, this powerhouse arrangement from the acclaimed CD “I Am Three” blossoms into a full-grown flat-out shout!

As the title aptly describes here is a solo vehicle for a plunger-wielding trombonist. With a bluesy style and a sultry tempo, here's a great opportunity for your soloist to pour his/her heart and soul into a performance. Recorded by the Clayton-Hamilton Jazz Orchestra on Shout Me Out.

Consistently outstanding is the only way to describe Dave Wolpe's charts. His arrangements always lay perfectly for each instrument. Why? Because he is one of the best writers in the business. Smooth modulations, tasty backgrounds, and plenty of activity for each section in the band make Dave's charts fun for both you and your students each time they play them. POOR BUTTERFLY is a great swing chart with a moderate tempo, easy figures, and a trumpet range to high E-flat. A Sinatra-style ending is the icing on this cake. You'll love it!

Style: funk. Ranges: A5 trumpet, A4 trombone. Features: tenor sax. Rhythm section parts partially notated with chords cued. Standard instrumentation. Grade: advanced.

A superb feature for baritone saxophone, this is certainly one of Ellington's more beautiful melodies and another winning chart from master arranger Dave Wolpe. The perfect ballad showcase for your bari player with plenty of melodic soloing and no improvisation. A swingin' double-time section offers a nice contrast to this lush ballad. This chart is perfect for concert, or even a dance gig. Give the bari player the spotlight.

The Pythodd Club in Rochester, NY was where the famed La Barbera brothers were first exposed to real, live jazz and the B3 organ was often a part of these groups. Here John uses the organ as a center piece but surrounds it with exuberant proclamations from the rest of the band in a smokin’ shuffle chart. Solos are included for organ, guitar, and tenor sax.

From the CD Groove Shop recorded by the Clayton-Hamilton Jazz Orchestra, here is John Clayton's stylish take on this masterful Billy Strayhorn composition. The rhythm section sets up the feel followed by a sax soli chorus, and finally the main theme stated by tenor and muted trumpet. Sprinkled with a few twists and turns, ample solo space, and terrific ensemble writing throughout, this is a real gem of a chart.

After an opening ensemble blast and short piano statement, a trio of flute, muted trumpet and guitar take the reins on this medium swing gem by John Clayton (recorded by the Clayton-Hamilton Jazz Orchestra on Absolutely). The trumpet solo and unison sax soli are followed by a powerful ensemble shout. The pace softens a bit as the opening trio brings this exciting and dynamic chart full circle.

Here's a musical salute to the most celebrated American jazz composer of the twentieth century, the Duke! Arranger Jeff Hest has accurately transcribed and assembled three of Ellington's best-known songs: Caravan, In My Solitude, and Don't Get Around Much Anymore. These Hest collections have been extremely successful for jazz ensembles because of their ability to teach big band jazz classics and their tremendous audience appeal. This is authentic Ellington--just as his own band performed it. The best of the best!

The music of Glenn Miller is timeless. Arranger/transcriber Jeff Hest pays tribute with a medley of three big hits from the big band era, when Miller was king. All of the patented Glenn Miller sounds are meticulously written into this fine arrangement. It's a wonderful teaching tool and a sure-fire audience favourite. Easy (5:45)

The Glenn Miller legacy is an essential part of American history. Jeff Hest has arranged three more Glenn Miller hits in his second salute to the legendary bandleader. This tribute begins with the traditional sax section soli and the memorable Bobby Hackett trumpet solo in String of Pearls, continues with a ticket on the ever-popular Chattanooga Choo Choo and closes with the powerful classic American Patrol. A great teaching tool with sure-fire audience appeal: the timeless Glenn Miller sound.

Hot Latin sounds from Gordon Goodwin's Grammy-nominated CD “Big Phat Band - Swingin' For The Fences”! Flute and trumpet are featured in the beginning on the playful melody, but the entire ensemble gets a chance to cut loose on this powerful chart. Includes solos for alto and trombone.

The arranging genius of Gordon Goodwin is readily apparent in this unique version of Miles Davis' classic. At times a jazz waltz, at times straight ahead swinging in 4, the ensemble lines flow effortlessly from style to style. Solo space is available for any combination of alto, tenor, trumpet or trombone. A marvelous showcase on an important jazz standard. (Alto 1 doubles on flute)

Composed by jazz trumpeter Randy Brecker and featured on his Grammy® award-winning CD, 34th and Lex, Shanghigh is a smokin' chart as arranged by Alan Baylock. Featuring the trumpet, this is hip, contemporary and clearly a must have chart. Trumpet solo, sax soli, lead trumpet to written D. Hot chart! (3:43)